{"id":6727,"date":"2018-02-01T12:20:00","date_gmt":"2018-02-01T09:20:00","guid":{"rendered":"https:\/\/www.mordayanisma.org\/?p=6727"},"modified":"2025-11-15T15:00:10","modified_gmt":"2025-11-15T12:00:10","slug":"mor-dayanisma-kurucularindan-perihan-koca-erkekligin-carkina-comak-sokan-bir-kadin","status":"publish","type":"post","link":"https:\/\/www.mordayanisma.org\/en\/2018\/02\/01\/mor-dayanisma-kurucularindan-perihan-koca-erkekligin-carkina-comak-sokan-bir-kadin\/","title":{"rendered":"Mor Dayan\u0131\u015fma kurucular\u0131ndan Perihan Koca: Erkekli\u011fin \u00e7ark\u0131na \u00e7omak sokan bir kad\u0131n!"},"content":{"rendered":"\n

R\u00f6portaj<\/strong>: Asl\u0131 Tohumcu – aslitohumcu@gmail.com<\/p>\n

Kaynak<\/strong>: Gazete Duvar<\/a><\/p>\n\n\n\n

DUVAR<\/strong> – Ursula K. Le Guin ge\u00e7ti\u011fimiz g\u00fcnlerde hayat\u0131n\u0131 kaybetti. \u00c7oklar\u0131m\u0131z i\u00e7in k\u0131ymetli bir yazar Le Guin elbette ama 2016\u2019da kurulan Mor Dayan\u0131\u015fma Derne\u011fi ve derne\u011fin \u00e7al\u0131\u015fma gruplar\u0131 a\u00e7\u0131s\u0131ndan apayr\u0131 bir yeri, \u00f6nemi var. Bu nedenle derne\u011fin kap\u0131s\u0131n\u0131 \u00e7ald\u0131k ve Le Guin\u2019in eserlerinin, kad\u0131n m\u00fccadelesi ve Mor Dayan\u0131\u015fma i\u00e7in ne ifade etti\u011fini, derne\u011fin kurucular\u0131ndan Perihan Koca ile konu\u015ftuk.<\/p>\n\n\n\n

Perihan Koca, \u201cH\u00e2l\u00e2 Le Guin\u2019le tan\u0131\u015fmam\u0131\u015f, kitaplar\u0131n\u0131 eline almam\u0131\u015f, sat\u0131r aralar\u0131nda dola\u015fmam\u0131\u015f olanlar var ise: Kendinize bir iyilik yap\u0131n ve hi\u00e7 vakit kaybetmeden, Ursula K. Le Guin’in kitaplar\u0131ndan en az\u0131ndan birini ya\u015fam\u0131n\u0131za, bilincinize, ruhunuza hediye edin… Zaten sonras\u0131 mutlaka gelecektir… \u0130yi ki yery\u00fcz\u00fcnden bir Ursula ge\u00e7ti, ya\u015fama su verdi, de\u011fdi\u011fi her yeri \u00e7i\u00e7eklendirdi… Ursula’ya sayg\u0131yla, Anarres’e selamlar…\u201d diyor.<\/p>\n\n\n\n

\"-\"<\/figure>\n\n\n\n

Mor Dayan\u0131\u015fma  kimleri, hangi ama\u00e7la \u00e7at\u0131s\u0131 alt\u0131nda toplad\u0131 ve bu \u00e7at\u0131 alt\u0131nda bug\u00fcne dek neler yapt\u0131, bunlar\u0131 \u00f6\u011frenerek ba\u015flayal\u0131m isterim s\u00f6yle\u015fimize\u2026<\/strong><\/p>\n\n\n\n

Mor Dayan\u0131\u015fma, ataerki ve kapitalizmin \u00e7at\u0131\u015fmal\u0131 ve ama \u201cmutlu\u201d evliliklerini, yani patriyarkal kapitalizmi ala\u015fa\u011f\u0131 etmek i\u00e7in evlerden, mutfaklardan, kamp\u00fcslerden, at\u00f6lyelerden, fabrikalardan, mahallelerden ve t\u00fcm ya\u015fam alanlar\u0131ndan yola \u00e7\u0131karak, kad\u0131n olmaktan kaynakl\u0131 ya\u015fanan \u00f6zg\u00fcn sorunlara, kad\u0131nlar\u0131n \u00f6z \u00f6rg\u00fctl\u00fcl\u00fc\u011f\u00fcn\u00fc in\u015fa etme perspektifi ve prati\u011fi ile yola \u00e7\u0131kan bir ba\u011f\u0131ms\u0131z kad\u0131n \u00f6rg\u00fctlenmesi.<\/p>\n\n\n\n

Bu do\u011frultuda; erkek egemen ak\u0131ldan, devletten, iktidar ve sermayeden, t\u00fcm hegemonya ve hiyerar\u015fi bi\u00e7imlerinden kopu\u015fmu\u015f bir \u00f6rg\u00fctl\u00fcl\u00fc\u011f\u00fc, kolektif kad\u0131n kurtulu\u015fu bilinci ile ya\u015fam\u0131n i\u00e7erisinde somutlayabilmek ad\u0131na 23\/24\/25 Eyl\u00fcl 2016\u2019da ger\u00e7ekle\u015ftirdi\u011fimiz yaz kamp\u0131 ile kurulu\u015fumuzu deklare ettik. Ya\u015fad\u0131\u011f\u0131m\u0131z ola\u011fan\u00fcst\u00fc d\u00f6nemin \u00f6zg\u00fcn ko\u015fullar\u0131na, \u00fczerinde \u015fekillendi\u011fimiz toplumsal-siyasal konjonkt\u00fcr\u00fcn, i\u00e7erisine soludu\u011fumuz co\u011frafyan\u0131n \u00f6zg\u00fcnl\u00fcklerine uygun \u00f6rg\u00fctlenme y\u00f6ntem ve metotlar\u0131 geli\u015ftirerek diyalektik ve kolektif bir kad\u0131n kurtulu\u015f paradigmas\u0131 ile yola \u00e7\u0131kt\u0131k.<\/p>\n\n\n\n

Ge\u00e7ti\u011fimiz ay ger\u00e7ekle\u015ftirdi\u011fimiz 23\/24 Aral\u0131k 2017 T\u00fcrkiye Kad\u0131n konferans\u0131m\u0131za kadar, tempolu bir faaliyetle 23 ilde e\u015fg\u00fcd\u00fcml\u00fc ger\u00e7ekle\u015ftirdi\u011fimiz \u00f6rg\u00fctlenme ve m\u00fccadele takvimimizle  il, il\u00e7e ve mahallerde  \u00e7e\u015fitli kampanyalar, paneller, \u00e7al\u0131\u015ftaylar, forumlar ve zengin at\u00f6lyelerle yerel meclislerimizin kurulu\u015funa soyunduk. Konferans\u0131m\u0131z\u0131n hemen sonras\u0131nda Mor Dayan\u0131\u015fma birim ve \u00e7al\u0131\u015fma gruplar\u0131n\u0131n in\u015fas\u0131 i\u00e7in kampanyalar\u0131m\u0131z\u0131 h\u0131zland\u0131rd\u0131k.<\/p>\n\n\n\n

Psikolojik dan\u0131\u015fmanl\u0131k, hukuki dan\u0131\u015fmanl\u0131k, cinsel \u015fiddetle m\u00fccadele, kad\u0131n cinayetleri, yay\u0131n, medya ve habercilik, sanat, \u00e7evirmenlik birimlerimizi olu\u015fturarak kad\u0131nlar\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelesini g\u00fc\u00e7lendirme hedefi ile yol almaya devam ettik.  \u00c7al\u0131\u015fma grubu ve birim faaliyetlerimize yo\u011funla\u015f\u0131rken, yerel meclisleri g\u00fc\u00e7lendirmek i\u00e7in kuruldu\u011fumuz andan itibaren periyodik olarak rutinle\u015ftirdi\u011fimiz \u00f6z savunma, kad\u0131n korolar\u0131, bilin\u00e7 y\u00fckseltme \u00e7al\u0131\u015fmalar\u0131, film g\u00f6sterimleri, \u00f6nc\u00fc kad\u0131n, erbane, m\u00fczik, drama, yarat\u0131c\u0131l\u0131k, masal, \u00fcretim, kad\u0131n ve ekoloji at\u00f6lyeleri gibi at\u00f6lye \u00e7al\u0131\u015fmalar\u0131m\u0131zla ve ev-mahalle toplant\u0131lar\u0131 ve meclisleri ile yerel \u00f6rg\u00fctlenme pratiklerini esas alarak ilerledik, ilerliyoruz. \u00d6n\u00fcm\u00fczde yine yo\u011fun bir takvim var, yani gidilecek \u00e7ok yol ve de\u011fip dokunulacak milyonlarca kad\u0131n ve kad\u0131n dayan\u0131\u015fmas\u0131n\u0131n serpilip ye\u015fermesi gereken onlarca yer var…<\/p>\n\n\n\n

‘DEVR\u0130M OLAB\u0130L\u0130RS\u0130N\u0130Z ANCAK’<\/strong><\/p>\n\n\n\n

Ge\u00e7en hafta Ursula K. Le Guin\u2019i kaybettik. Le Guin, Mor Dayan\u0131\u015fma\u2019n\u0131n yakla\u015fan at\u00f6lyeleri ve sizin a\u00e7\u0131n\u0131zdan da \u00e7ok k\u0131ymetli bir yazar. Buradan devam edersek, Le Guin\u2019in eserlerinde size ilham veren neydi, onu \u00f6\u011frenmek isterim \u00f6ncelikle.<\/strong><\/p>\n\n\n\n

D\u00fcnyada milyonlarca kad\u0131n\u0131n y\u00fcre\u011fine, ruhuna de\u011fip dokunmu\u015f, zihninde iz b\u0131rakm\u0131\u015f, g\u00f6n\u00fcllere taht kurmu\u015f bir kad\u0131n Ursula… Zihnimize yeni ufuk \u00e7izgileri eklemi\u015f, hayal g\u00fcc\u00fcm\u00fcz\u00fcn s\u0131rt\u0131na binip yollar\u0131na revan olaca\u011f\u0131m\u0131z yeni diyarlar\u0131n kap\u0131lar\u0131n\u0131 aralam\u0131\u015f, O\u2019na dokunan, kelimelerinin aras\u0131nda gezinen herkese marifetler, sesler, b\u00fcy\u00fcler, ejderhalar, kar\u015f\u0131la\u015fmalar ve yeni ba\u015flang\u0131\u00e7lar arma\u011fan etmi\u015f, ya\u015famlar\u0131m\u0131z\u0131 sular isek ye\u015ferecek tohumlar serpi\u015ftirmi\u015ftir bir kad\u0131n…<\/p>\n\n\n\n

\n
\"D\u00fcmeni
D\u00fcmeni Yarat\u0131c\u0131l\u0131\u011fa K\u0131rmak, Ursula K. Le Guin, \u00e7ev: Damla G\u00f6l, 144 syf., Hep Kitap, 2017.<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n

Hakk\u0131nda ne s\u00f6ylesem eksik ya da yar\u0131m kalacak \u00e7ok y\u00f6nl\u00fc ve \u00e7ok kimlikli bir yazar Ursula… Feminist, Taocu, Kropotkinci bir anar\u015fist, ekolojist… Antropoloji, mitoloji, tarih, felsefe, bilim ve psikanaliz ile \u00f6zel olarak u\u011fra\u015fm\u0131\u015f ve bu u\u011fra\u015f\u0131lar\u0131n\u0131 ve hayata bak\u0131\u015f\u0131n\u0131, d\u00fc\u015f\u00fcn\u00fc\u015f\u00fcn\u00fc, duru\u015funu yaz\u0131nlar\u0131nda harmanlam\u0131\u015f bir yazar, romanc\u0131, bilimkurgucu. Yeni Dalga bilimkurgunun en \u00f6nemli temsilcilerinden…<\/p>\n\n\n\n

D\u00f6neminin bilimkurgucular\u0131n\u0131n teknolojik geli\u015fmeler \u00fczerinden yaratt\u0131\u011f\u0131 mekanik \u00fctopyalar ve distopyalardan ziyade; ya\u015fama, politikaya, do\u011faya, sosyolojik, psikolojik olana, alternatif toplum bi\u00e7imleri ve o toplumun bireyine y\u00f6nelmi\u015f bir yazar. Ursula, ya\u015fam\u0131n, zaman\u0131n ve d\u00fc\u015flerin diyalekti\u011fini kendine metot ediniyor. Ve Yerdeniz B\u00fcy\u00fcc\u00fcs\u00fc\u2019nde \u201cHer \u015fey konu\u015fur; duymak istiyorsan sessiz ol\u201d dedi\u011fi gibi, her \u015feyi ve \u00f6tesini dinliyor, duyumsuyor ve kelimelere d\u00f6kmeye koyuluyor.<\/p>\n\n\n\n

Al\u0131\u015f\u0131lm\u0131\u015fl\u0131\u011f\u0131n, s\u0131radanl\u0131\u011f\u0131n, mevcut sistemin rahat\u0131n\u0131 bozuyor, erilli\u011fin, ataerkinin \u00e7ark\u0131na \u00e7omak sokuyor. Kar\u015f\u0131l\u0131kl\u0131 diyalog k\u00fclt\u00fcr\u00fcn\u00fcn kurulabildi\u011fi, \u00e7o\u011fu zaman ikircikli, farkl\u0131, alternatif toplum bi\u00e7imleri yarat\u0131yor. Ufuk \u00e7izgisinin, zaman\u0131n \u00f6tesine, \u015fimdilik bilinmeyen diyarlara gezginler yollay\u0131p, yeni gezegenlere ke\u015ffe \u00e7\u0131k\u0131yor. Muazzam bir aray\u0131\u015f\u00e7\u0131, yarat\u0131c\u0131 ve kurucu bir g\u00fcce sahip Le Guin. Ve inan\u0131lmaz davetkar.  Yaratma cesaretine, kopu\u015fa, ba\u015fka t\u00fcrl\u00fc bir toplumun m\u00fcmk\u00fcnl\u00fc\u011f\u00fcne davet ediyor insan\u0131…<\/p>\n\n\n\n

M\u00fclks\u00fczler\u2019de; \u201cVermedi\u011finiz \u015feyi alamazs\u0131n\u0131z, kendinizi vermeniz gerekir. Devrimi sat\u0131n alamazs\u0131n\u0131z. Devrimi yapamazs\u0131n\u0131z. Devrim olabilirsiniz ancak. Devrim ya ruhunuzdad\u0131r ya da hi\u00e7bir yerde de\u011fildir,\u201d s\u00f6zleriyle c\u00fcretkarca davet etti\u011fi gibi…<\/p>\n\n\n\n

Mor Dayan\u0131\u015fma olarak, onun eserleri \u00fczerinden feminist okumalar yapacaks\u0131n\u0131z, bu a\u00f6tlyelerde nas\u0131l bir yol izlenecek?<\/strong><\/p>\n\n\n\n

\u015e\u00f6yle ki, kuruldu\u011fumuz andan itibaren il, il\u00e7e ve mahallelerde bilin\u00e7 y\u00fckseltme ve \u00e7e\u015fitli at\u00f6lye \u00e7al\u0131\u015fmalar\u0131 ger\u00e7ekle\u015ftiriyoruz. Bilin\u00e7 y\u00fckseltme \u00e7al\u0131\u015fmalar\u0131m\u0131zda belirledi\u011fimiz kimi makale, kitap ve g\u00fcndem tart\u0131\u015fmalar\u0131 yap\u0131yoruz. Hem bilin\u00e7 y\u00fckseltme \u00e7al\u0131\u015fmalar\u0131m\u0131zda Ursula K. Le Guin\u2019in kimi eserlerini tart\u0131\u015faca\u011f\u0131m\u0131z hem de toplumsal cinsiyet, cinsiyetsiz masallar ve yarat\u0131c\u0131 yazarl\u0131k at\u00f6lyelerimizde Le Guin\u2019in \u201cD\u00fcmeni Yarat\u0131c\u0131l\u0131\u011fa K\u0131rmak<\/em>\u201d k\u0131lavuz kitab\u0131ndaki \u00f6nemli g\u00f6rd\u00fc\u011f\u00fcm\u00fcz yarat\u0131c\u0131 \u00fcretimleri hayata ge\u00e7irece\u011fimiz \u015fekilde kad\u0131nlar\u0131n kalemi eline al\u0131p, kim ne der, erkekler ne der demeden yazma \u00fcretimine koyulaca\u011f\u0131 Le Guin at\u00f6lyeleri dizisi ger\u00e7ekle\u015ftirece\u011fiz…<\/p>\n\n\n\n

Le Guin\u2019in Karanl\u0131\u011f\u0131n Sol Eli\u2019nde yapt\u0131\u011f\u0131 gibi cinsiyeti ortadan kald\u0131rabilecek olamasak da, cinsiyet bahanesiyle ya\u015fat\u0131lan \u00f6n yarg\u0131lardan, yap\u0131lan dayatmalardan kurtuldu\u011fumuz g\u00fcn\u00fc g\u00f6rebilecek miyiz?<\/strong><\/p>\n\n\n\n

Kad\u0131n \u00f6zg\u00fcrl\u00fck m\u00fccadelesinin g\u00f6be\u011finde olan ve bilinci, kalbi kad\u0131nlar\u0131n \u00f6zg\u00fcrle\u015fme y\u00fcr\u00fcy\u00fc\u015f\u00fcn\u00fcn nabz\u0131 ile birlikte atan bir kad\u0131n olarak ama\u2019s\u0131z, fakat\u2019s\u0131z verece\u011fim tek cevap: \u201ckesinlikle\u201d olacakt\u0131r.<\/p>\n\n\n\n

Ancak, Le Guin\u2019in s\u00f6zleriyle konu\u015fmak gerekirse, O\u2019nun s\u00f6zlerinin alt\u0131n\u0131 kal\u0131nca \u00e7izmeyi ve her zamanki davetkarl\u0131\u011f\u0131yla kad\u0131nlara sesleni\u015fini yinelemeyi tercih ederim… \u015e\u00f6yle der, 1986\u2019da yapt\u0131\u011f\u0131 bir konu\u015fmas\u0131nda: \u201cBizler yanarda\u011flar gibiyiz. Biz kad\u0131nlar deneyimimizi ger\u00e7e\u011fimiz olarak, insanl\u0131\u011f\u0131n ger\u00e7e\u011fi olarak sunarsak t\u00fcm haritalar de\u011fi\u015fir. Yeni da\u011flar olur. \u0130stedi\u011fim bu. Yanarda\u011f gibi patlad\u0131\u011f\u0131n\u0131z\u0131 duyuyorum. \u0130\u00e7inizdeki g\u00fcc\u00fcn fark\u0131nda olmayan sizler… Sizi duymak istiyorum.\u201d<\/p>\n\n\n\n

1970\u2019te yay\u0131nlanan Karanl\u0131\u011f\u0131n Sol Eli<\/em>, feminist literat\u00fcr a\u00e7\u0131s\u0131ndan kimi ikircikli tart\u0131\u015fmalar\u0131 i\u00e7erisinde bar\u0131nd\u0131rsa da, toplumsal cinsiyet, cinsiyet, cinsiyetsizlik kavramlar\u0131 ve tart\u0131\u015fmalar\u0131 a\u00e7\u0131s\u0131ndan \u00f6n a\u00e7an ve sorgulatan \u00f6nemli eserlerden. Le Guin, Karanl\u0131\u011f\u0131n Sol Eli\u2019nde; tan\u0131ml\u0131 erkek ve kad\u0131n\u0131n olmad\u0131\u011f\u0131 bir gezegen yaratt\u0131, toplumsal cinsiyet rollerini alt \u00fcst etti  ve cinsel kimli\u011fi flula\u015ft\u0131rd\u0131. Yaratt\u0131\u011f\u0131 d\u00fcnyan\u0131n t\u00fcm sakinleri \u00e7ift cinsiyetli (androjen) idi mesela. Verili kad\u0131nl\u0131k\/erkeklik rollerinin olmad\u0131\u011f\u0131, cinsiyet kavram\u0131n\u0131n bi\u00e7im de\u011fi\u015ftirdi\u011fi bir toplumun sosyolojik yap\u0131s\u0131n\u0131 ayr\u0131nt\u0131larda yo\u011funla\u015farak in\u015fa etti. Y\u0131l\u0131n belli takvimlerinde, hormonal de\u011fi\u015fikliklere ba\u011fl\u0131 olarak, erkek ya da kad\u0131n kimli\u011fini t\u00fcm deneyimleriyle birlikte ya\u015fayabildi\u011fi, do\u011furganl\u0131\u011f\u0131n her iki cinse de \u00f6zg\u00fc oldu\u011fu ve ya\u015fam\u0131n belli d\u00f6nemlerinde do\u011furdu\u011fun \u00e7ocuklar\u0131n annesi, belli d\u00f6nemlerinde ba\u015fka \u00e7ocuklar\u0131n babas\u0131 olabildi\u011fin, evlilik kurumunun bo\u015flu\u011fa ve hi\u00e7li\u011fe itildi\u011fi bir d\u00fcnya yaratt\u0131. \u00c7ocuk bak\u0131m\u0131n\u0131, \u201ckad\u0131n i\u015fi” olmaktan \u00e7\u0131kar\u0131verdi, sahip olma, g\u00fc\u00e7, hegemonya kavramlar\u0131n\u0131n alt\u0131n\u0131 bo\u015falt\u0131verdi…<\/p>\n\n\n\n

K\u0131\u015f gezegenine, kendine ve gelecek tahayy\u00fcl\u00fc ile ilgili t\u00fcm sorular\u0131n cevaplar\u0131na do\u011fru bir yolculu\u011fa \u00e7\u0131kard\u0131 kendini ve herkesi… Le Guin’in, yapt\u0131\u011f\u0131 en \u00f6nemli \u015feylerden biri, bence dili kullanma bi\u00e7imi… Kelimeleri esnek ve k\u0131vrak kullan\u0131m\u0131n\u0131n daha da \u00f6tesinde dili, hegemonik, hiyerar\u015fik, eril tahakk\u00fcmden kurtararak yaz\u0131yor… Ataerkil toplumun sundu\u011fu ve dayatt\u0131\u011f\u0131 dilden kelimelerini kurtararak, kad\u0131nlar\u0131n \u00f6zne oldu\u011fu yeni bir kad\u0131n dili yarat\u0131yor. Kendi c\u00fcmleleriyle \u201cfahri ya da sahte bir erkek gibi de\u011fil, bir kad\u0131n gibi yazmak\u201dtan s\u00f6z ediyor.<\/p>\n\n\n\n

Ve yine bir konu\u015fmas\u0131nda: \u201cKad\u0131nlar, kad\u0131n olarak kald\u0131klar\u0131 s\u00fcrece, erkek egemen d\u00fc\u015f\u00fcnceyle olu\u015fturulmu\u015f bir toplumda, insan\u0131n insano\u011flu diye adland\u0131rd\u0131\u011f\u0131, tanr\u0131n\u0131n erkeklerin diliyle konu\u015ftu\u011fu, tek gidilebilecek y\u00f6n\u00fcn ileri, daima ileri oldu\u011fu toplumdan, zaten b\u00fcy\u00fck \u00f6l\u00e7\u00fcde d\u0131\u015flanm\u0131\u015f durumdalar. Bu, onlar\u0131n \u00fclkesi, biz kendimizinkine bakal\u0131m,\u201d der ve resti \u00e7eker… Bu rest \u00e7eki\u015f bir sessiz protestodan \u00f6te, yeniden yaratman\u0131n in\u015fas\u0131na koyulmakt\u0131r, \u00f6yle de yapar….<\/p>\n\n\n\n

Le Guin\u2019in feminizmi bilimkurguya dahil eden edebi \u00e7abas\u0131n\u0131 ve ba\u015far\u0131s\u0131n\u0131, feminist m\u00fccadele a\u00e7\u0131s\u0131ndan siz nas\u0131l de\u011ferlendiriyorsunuz? Le Guin’in kurdu\u011fu distopik ve \u00fctopik d\u00fcnyalar\u0131n, anar\u015fizm anlay\u0131\u015f\u0131n\u0131n g\u00fcn\u00fcm\u00fcz kad\u0131n hareketine k\u0131lavuzluk edecek ne gibi y\u00f6nleri var, eserleri kad\u0131n m\u00fccadelesi a\u00e7\u0131s\u0131nda bir araca d\u00f6n\u00fc\u015febilir mi sizce?<\/strong><\/p>\n\n\n\n

Le Guin, arkas\u0131nda \u00f6nemli ve \u00f6zg\u00fcn bir k\u00fclliyat b\u0131rakt\u0131… Feminizm anlay\u0131\u015f\u0131n\u0131, yaratt\u0131\u011f\u0131 yeni ve alternatif toplum bi\u00e7imlerinin olu\u015fumuna ve insan\u0131n cinsel kimli\u011fi, varolu\u015fsal hesapla\u015fmalar\u0131, kendi olu\u015f yolculu\u011fu ve aray\u0131\u015f\u0131na katarak harmanlad\u0131… Sadece kad\u0131nlara de\u011fil, erkeklere de \u00f6zg\u00fcr bir ya\u015fam yolculu\u011funa \u00e7\u0131kmay\u0131 ve kendi kimliklerini sorgulamay\u0131 teklif etti. M\u00fclkiyeti, sahipli\u011fi, iktidar\u0131, hiyerar\u015fiyi, cinsel deneyimleri, ya\u015fam\u0131 ve g\u00f6rme bi\u00e7imlerini sorgulatarak… Sadece kad\u0131n-erkek ikili\u011fi \u00fczerinden de\u011fil, tersinden \u00f6zellikle do\u011fa ile kurdu\u011fu ili\u015fki \u00fczerinden insan\u0131n yabanc\u0131la\u015fmas\u0131n\u0131, yal\u0131n bir \u00e7\u0131plakl\u0131kla ortaya koydu. T\u00fcrc\u00fcl\u00fck kar\u015f\u0131t\u0131 bir bak\u0131\u015f a\u00e7\u0131s\u0131 ile, do\u011fay\u0131 ve do\u011fan\u0131n bir par\u00e7as\u0131, bir uzvu olan insan\u0131n kendine d\u00f6n\u00fc\u015f\u00fcn\u00fc, kendi olu\u015funu hayvanlarla, ormanla, okyanusla, do\u011fa ile ili\u015fkileni\u015f bi\u00e7imlerini yeniden tariflemeye y\u00f6neldi…<\/p>\n\n\n\n

\u201cD\u00fcnyaya Orman Denir<\/em>\u201d kitab\u0131ndaki insan ve do\u011fa diyalekti\u011fi, \u201cTehanu\u201ddaki yar\u0131 ejderha kad\u0131n b\u00fcy\u00fcc\u00fc, \u201cVah\u015fi K\u0131zlar<\/em>\u201dda kulland\u0131\u011f\u0131 imgeler, yaz\u0131nlarda ilmek ilmek i\u015fledi\u011fi eko-sistemin \u00f6nemi, hayvanlarla, a\u011fa\u00e7larla konu\u015fabilen insanlar ve daha bir\u00e7o\u011fu…<\/p>\n\n\n\n

\u00c7ok y\u00f6nl\u00fc bir zenginlik bar\u0131ndan bu \u00f6zg\u00fcn k\u00fclliyat, elbette, ba\u015fta kad\u0131n kurtulu\u015f m\u00fccadelesi olmak \u00fczere \u00f6nemli bir araca d\u00f6n\u00fc\u015fmelidir, d\u00f6n\u00fc\u015fecektir de. Lakin bir tabu ya da mit olarak \u00f6\u011freten, \u00f6\u011fretici bir k\u0131lavuz olarak de\u011fil. Aray\u0131\u015fa, ke\u015ffe, ba\u015fka diyarlara yolculu\u011fa \u00e7\u0131karan ve yaratma cesaretine davette bulunan ele\u015ftirel ve diyalektik bir manifesto olarak… Devrimin k\u00f6klerinin ruhumuzda oldu\u011funu hayk\u0131rarak, d\u00fcnyay\u0131 yeniden yazman\u0131n, yeniden kurman\u0131n m\u00fcmk\u00fcnl\u00fc\u011f\u00fcne i\u015faret ederek…<\/p>\n\n\n\n

Kad\u0131nlar, r\u00fcyalar ve ejderhalar kitab\u0131ndan bir pasajda, bu hayk\u0131r\u0131\u015f\u0131n\u0131 \u015fu c\u00fcmlelerle dile getirir, Le Guin: “…Yaz\u0131k. Elliden fazla y\u0131l ge\u00e7ti; t\u00fcm\u00fcyle farkl\u0131 olsa da, erkekleri \u015foke olmaktan koruyacak, kad\u0131nlar\u0131n bedenleri, tutkular\u0131 ve varolu\u015fuyla ilgili yaln\u0131zca erkek deneyimini kabul eden uzla\u015f\u0131mlar h\u00e2l\u00e2 var, \u00e7ok yaz\u0131k. Kendim dahil bu kadar \u00e7ok kad\u0131n kendi deneyimlerinin b\u00f6yle reddedilmesine g\u00f6z yumdu, alg\u0131lar\u0131n\u0131 buna uyacak bi\u00e7imde daraltt\u0131, sanki cinsellikleri d\u00fcz\u00fc\u015fmeyle s\u0131n\u0131rl\u0131ym\u0131\u015f gibi, sanki gebelik, do\u011fum, \u00e7ocuk bak\u0131m\u0131, annelik, ergenlik, \u00e2det g\u00f6rme, menopoz hakk\u0131nda, ev i\u015fi, \u00e7ocuk i\u015fi, hayat i\u015fi, sava\u015f, bar\u0131\u015f, kad\u0131n bedeninde ve zihninde ve imgeleminde ya\u015fand\u0131\u011f\u0131 bi\u00e7imiyle ya\u015fam ve \u00f6l\u00fcm hakk\u0131nda erkeklerin duymak istedikleri d\u0131\u015f\u0131nda hi\u00e7bir \u015fey bilmiyorlarm\u0131\u015f gibi yazd\u0131. Virgina Woolf’un s\u00f6yledi\u011fi gibi, Helene Cixous’nun da s\u00f6yledi\u011fi gibi, \u2018bedeni yazmak\u2019 yaln\u0131zca ba\u015flang\u0131\u00e7t\u0131r. D\u00fcnyay\u0131 yeniden yazmal\u0131y\u0131z…”<\/p>\n","protected":false},"excerpt":{"rendered":"

Mor Dayan\u0131\u015fma kurucular\u0131ndan Perihan Koca ile Ursula K. Le Guin hakk\u0131nda konu\u015ftuk. Koca, ” Ursula K. Le Guin al\u0131\u015f\u0131lm\u0131\u015fl\u0131\u011f\u0131n, s\u0131radanl\u0131\u011f\u0131n, mevcut sistemin rahat\u0131n\u0131 bozuyor, erilli\u011fin, ataerkinin \u00e7ark\u0131na \u00e7omak sokuyor” dedi.<\/p>","protected":false},"author":5,"featured_media":6729,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_eb_attr":"","inline_featured_image":false,"footnotes":""},"categories":[537,98],"tags":[559,272,507],"ppma_author":[1368,1307],"class_list":["post-6727","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-basinda-biz","category-kultur-sanat","tag-feminist-edebiyat","tag-feministmucadele","tag-yaraticieylem","author-asli-tohumcu","author-gazete-duvar"],"authors":[{"term_id":1368,"user_id":0,"is_guest":1,"slug":"asli-tohumcu","display_name":"Asl\u0131 Tohumcu","avatar_url":"https:\/\/www.mordayanisma.org\/wp-content\/litespeed\/avatar\/23494c9101089ad44ae88ce9d2f56aac.jpg?ver=1784192493","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""},{"term_id":1307,"user_id":0,"is_guest":1,"slug":"gazete-duvar","display_name":"Gazete Duvar","avatar_url":"https:\/\/www.mordayanisma.org\/wp-content\/litespeed\/avatar\/23494c9101089ad44ae88ce9d2f56aac.jpg?ver=1784192493","author_category":"","first_name":"","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/6727","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/comments?post=6727"}],"version-history":[{"count":1,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/6727\/revisions"}],"predecessor-version":[{"id":9674,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/6727\/revisions\/9674"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media\/6729"}],"wp:attachment":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media?parent=6727"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/categories?post=6727"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/tags?post=6727"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/ppma_author?post=6727"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}