{"id":6311,"date":"2025-02-20T12:04:09","date_gmt":"2025-02-20T09:04:09","guid":{"rendered":"https:\/\/www.mordayanisma.org\/?p=6311"},"modified":"2025-03-17T00:46:00","modified_gmt":"2025-03-16T21:46:00","slug":"bu-imgeler-bizim-degil","status":"publish","type":"post","link":"https:\/\/www.mordayanisma.org\/en\/2025\/02\/20\/bu-imgeler-bizim-degil\/","title":{"rendered":"Bu \u0130mgeler Bizim De\u011fil!"},"content":{"rendered":"<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.mordayanisma.org\/wp-content\/uploads\/2025\/02\/Bu-Imgeler-Bizim-Degil.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Mor Dayan\u0131\u015fma \u0130zmir \u0130l Meclisi olarak aral\u0131k ay\u0131nda d\u00fczenledi\u011fimiz <em>Mor Masa Bulu\u015fmalar\u0131\u2019nda<\/em> Akademisyen, Sanat\u00e7\u0131 Arzu Oto ile <strong>\u201cKad\u0131nlar, Sanat ve \u0130deoloji\u201d<\/strong> hakk\u0131nda konu\u015ftuk. Resim sanat\u0131nda nesnele\u015ftirilen kad\u0131n\u0131n sanat\u00e7\u0131 \u00f6zneli\u011fe yol al\u0131\u015f\u0131n\u0131, eril sanat kanonundaki imge bombard\u0131man\u0131na feminist sanatla nas\u0131l s\u0131rt \u00e7evirebilece\u011fimizi konu\u015ftuk.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Feminist sanat\u0131n temel u\u011fra\u015f\u0131<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Feminist sanat, en temelde \u201ctemsiliyet\u201d ile u\u011fra\u015f\u0131r, yani bir grup ya da topluluk ad\u0131na davranmak temel meselesidir. Temsil, ger\u00e7eklik ve temsiliyeti in\u015fa edenler aras\u0131ndaki ili\u015fkiye odaklan\u0131r feminist sanat.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Feminist sanat, 20. y\u00fczy\u0131l ba\u015f\u0131ndan beri farkl\u0131 alanlarda dile getirilse de 1960 sonras\u0131 feminist ele\u015ftirel bir perspektifle akademik \u00e7al\u0131\u015fmalar\u0131n konusu olmaya ba\u015fl\u0131yor. Virginia Woolf, Simone de Beauvoir gibi \u00f6nemli kad\u0131n yazarlar\u0131n metinlerinde temsiliyet meselesi ya\u015fam pratiklerinden sanata kadar \u00e7ok geni\u015f bir alanda tart\u0131\u015fmaya a\u00e7\u0131l\u0131yor.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Temsiliyet bize ne s\u00f6yler?<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">(Yaz\u0131n\u0131n bu b\u00f6l\u00fcm\u00fcnde \u00fcnl\u00fc tablolardaki kad\u0131n temsiliyeti \u00fczerine inceleme yapaca\u011f\u0131z.)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Resim sanat\u0131nda \u00e7ok\u00e7a tasvir g\u00f6r\u00fcr\u00fcz. D\u00fcnyan\u0131n \u00e7e\u015fitli m\u00fczelerinde h\u00e2l\u00e2 bunun bir\u00e7ok \u00f6rne\u011fini de g\u00f6r\u00fcyoruz.&nbsp; Kad\u0131nlar\u0131n nas\u0131l tasvir edildi\u011fi, genel toplumsal kan\u0131y\u0131 yans\u0131tt\u0131\u011f\u0131 gibi belirli bir tip kad\u0131nl\u0131ktan ba\u015fka kad\u0131nl\u0131k durumlar\u0131n\u0131n ho\u015f g\u00f6r\u00fclmeyece\u011fi mesaj\u0131n\u0131 da verir. \u00d6zellikle 19. y\u00fczy\u0131lda yap\u0131lan ve bir\u00e7ok sanat tarihi kitab\u0131nda da yer alan uzanm\u0131\u015f n\u00fc kad\u0131n temsilleri, k\u00f6yl\u00fc ve i\u015f\u00e7i kad\u0131n temsilleri, anal\u0131k g\u00f6revini icra eden kad\u0131n temsilleri dikkat \u00e7ekiyor. Bu temsillerden baz\u0131lar\u0131na biraz yak\u0131ndan biraz da uzaktan bakaca\u011f\u0131z:<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXerRrqFr6IH51ayYS6EaGguh6-1-BjwqSSADA-RFaEBB09SerSgw7mb7ESsMySIZ02yqOJ_77AnRjZs1sscp7x9g0KDGF665L7t5ozLODj4yxop3Br5wTXS89gmJR1KhT8-O5RNuA?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Urbino Ven\u00fcs\u00fc (1534)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">R\u00f6nesans d\u00f6neminin bir \u00f6zelli\u011fi olan g\u00f6steri\u015fli bir sarayda izleyiciye d\u00f6n\u00fck bir \u015fekilde, bir tanr\u0131\u00e7a olan bu kad\u0131n\u0131n davetk\u00e2r bir \u015fekilde uzand\u0131\u011f\u0131n\u0131 g\u00f6r\u00fcyoruz<sup data-fn=\"9d4a4e7c-7a36-4e71-a328-253aed02ec28\" class=\"fn\"><a id=\"9d4a4e7c-7a36-4e71-a328-253aed02ec28-link\" href=\"#9d4a4e7c-7a36-4e71-a328-253aed02ec28\">1<\/a><\/sup>. G\u00f6steri\u015fli bir sarayda ba\u015ftan \u00e7\u0131kar\u0131c\u0131 bir \u015fekilde bize bak\u0131yor. Resmin tam merkezinde cinsel organ\u0131n\u0131 kapatm\u0131\u015f bir \u015fekilde uzan\u0131yor. Genellikle bu tasvirlerde kad\u0131nlar, cinsel a\u00e7\u0131dan kolay ula\u015f\u0131labilir bir \u015fekilde betimleniyor.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXe6bBf9qBXG-lNcPQX_St6wifbs5_BaBD9TWmzwzbHzoRjzPNf1W49o5IfPR9TvJITpJeKMXZ2Rg2LDUkAxOgqCS95fFgMxJca1xgXumrbxJIZ_EKkhDeBAtKN8wiPDwwciAkfH?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Uyuyan Ven\u00fcs (1510)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sanat\u00e7\u0131lar\u0131n birbirinden \u00e7ok fazla esinlendiklerini resimlerin birbirine benzerli\u011finden anlayabiliyoruz. Titian\u2019\u0131n <em>Urbino\u2019lu Ven\u00fcs<\/em>\u2019\u00fcne ilham olan <em>Uyuyan Ven\u00fcs<\/em> eserinde de uzanm\u0131\u015f bir kad\u0131n\u0131 g\u00f6r\u00fcyoruz<sup data-fn=\"820c063d-cf40-4a51-a5eb-8e4c044c4150\" class=\"fn\"><a id=\"820c063d-cf40-4a51-a5eb-8e4c044c4150-link\" href=\"#820c063d-cf40-4a51-a5eb-8e4c044c4150\">2<\/a><\/sup>.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXfh6KG-65IEpQMOjdEEwPEA1qFOq1mdHQcCSAJTMkeJFfc5je0sWLGWMQzhHWkx9CYSOtaF3KM1oZYsV7YWQ4J9fh390AKAgqduIkVF-XlnAWhuAA3urCwv0VlxYMU-sw60cnu2ww?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Olympia (1863)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Paris\u2019te Orsay M\u00fczesi\u2019nde yer alan bu resim, tanr\u0131\u00e7a yerine bir seks i\u015f\u00e7isi oldu\u011fu d\u00fc\u015f\u00fcn\u00fclen bir kad\u0131n\u0131, resmin merkezine koydu\u011fu i\u00e7in d\u00f6neminde b\u00fcy\u00fck bir skandal yarat\u0131yor. <em>Olympia<\/em>\u2019n\u0131n izleyenlere utanmadan bakmas\u0131, d\u00f6nemi a\u00e7\u0131s\u0131ndan \u00e7ok ayr\u0131ks\u0131 ve ger\u00e7ek hayattan bir temsil olmas\u0131 sebebiyle olduk\u00e7a pop\u00fcler oluyor. Tablonun sergilendi\u011fi yer olan Paris Salonu hakk\u0131nda o sene yaz\u0131lan 85 makalenin 72&#8217;si, gen\u00e7 k\u0131zlar\u0131n ve hamile kad\u0131nlar\u0131n uzak durmalar\u0131 konusunda uyar\u0131ld\u0131klar\u0131 <em>Olympia<\/em> hakk\u0131ndayd\u0131. Salon y\u00f6netimi, sergi devam ederken, Manet&#8217;nin her iki tablosunu ba\u015fka bir odaya ta\u015f\u0131mak ve sald\u0131r\u0131 ihtimaline kar\u015f\u0131 koruma alt\u0131nda tutmak zorunda kal\u0131yor.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXdKe2MeijMcV4_Rx1ViGf8ct85htJ7WNJlviJn3DofOC9VDXyNbxrKBXj0_vy-HoMSZlJkiyoEndpY3N1ItdjBnbHS6paofvzQKgbDYTFWuvtYAQlG16Adq0poysmjQ4wLKoH2xFA?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Hasat\u00e7\u0131lar (1857)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00f6yl\u00fc ve i\u015f\u00e7i s\u0131n\u0131f\u0131ndan kad\u0131nlar hasat zaman\u0131nda \u00e7al\u0131\u015f\u0131yorlar. Burada, \u00e7al\u0131\u015fma h\u00e2linin olduk\u00e7a romantize edildi\u011fini g\u00f6r\u00fcyoruz. Feminist ele\u015ftirel bir g\u00f6zle bu resme bakt\u0131\u011f\u0131m\u0131zda ise arka planda k\u00f6yl\u00fc kad\u0131n\u0131n kendini \u00f6\u011f\u00fcten eme\u011fini, k\u00f6y k\u00fclt\u00fcr\u00fcndeki erkek hegemonyas\u0131n\u0131 g\u00f6r\u00fcyoruz. Elbette bunlar resme yans\u0131t\u0131lm\u0131yor.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXcMBSBh3zxliT7kkPQXJ1MLIIou93qs7lBf0GM4xTHoxpJJOhrJnssAVr3oyRCYsBZnX-Abkl9r9_8V_mPc-9QAfmLZzKTJKA9TAXXR0i2NId-vUw53kXZHPb_uHMiXXUQP1mes?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">\u0130ki Anne (1889)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hem ine\u011fin hem de kad\u0131n\u0131n yavrusuyla birlikte betimlenmesi do\u011frudan her ikisinin de ana\u00e7l\u0131\u011f\u0131n\u0131 \u00f6ne \u00e7\u0131kar\u0131yor. Anne olmak, her ikisine de do\u011fa taraf\u0131ndan emredilen bir \u015feyi yerine getirdikleri hissini uyand\u0131r\u0131yor izleyicide. Bu his, k\u00f6yl\u00fc kad\u0131n\u0131n saf ve c\u00f6mert oldu\u011fu fikri ile de peki\u015ftiriliyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu temsillere bakt\u0131\u011f\u0131m\u0131zda kad\u0131nlar\u0131n ana\u00e7l\u0131\u011f\u0131n\u0131, \u00e7ocuk bak\u0131m\u0131ndan tek ba\u015f\u0131na sorumlu olduklar\u0131n\u0131 ve kad\u0131nlara y\u00fcklenen bu sorumluluklar\u0131n do\u011fal d\u00fczenin bir par\u00e7as\u0131 olarak resmedildi\u011fini g\u00f6r\u00fcr\u00fcz. Anneli\u011fin kad\u0131nlar\u0131n do\u011fal bir kaderi oldu\u011fu fikrinin \u00f6ne \u00e7\u0131kar\u0131lmas\u0131n\u0131n yan\u0131 s\u0131ra estetik olarak kad\u0131nlar do\u011fa ya\u015fam\u0131n\u0131n, ebedi d\u00fczenin bir par\u00e7as\u0131ym\u0131\u015f gibi betimleniyor. Halim, selim, uysal olarak resmedilen kad\u0131nlar, siyasi ya da di\u011fer bak\u0131mlardan herhangi bir tehlike arz etmiyor. Kad\u0131nlar\u0131n k\u00f6t\u00fc tasvirleri, sadece delilik ve cad\u0131l\u0131kla \u00f6zde\u015fle\u015ftirilerek veriliyor.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu resimlerde genel ge\u00e7er iktidar ili\u015fkilerinin de tasvirler arac\u0131l\u0131\u011f\u0131yla s\u00fcrd\u00fcr\u00fcld\u00fc\u011f\u00fcn\u00fc g\u00f6r\u00fcyoruz. Kad\u0131nlar sanat\u0131n yarat\u0131c\u0131s\u0131 olmaktan ziyade nesnesi durumundalar;&nbsp; erkek ressam\u0131n esin perisi, n\u00fc modeli, e\u015fi, sevgilisi gibi rollerdeler.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Feminist sanat\u0131n temel u\u011fraklar\u0131<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u201cNeden Hi\u00e7 B\u00fcy\u00fck Kad\u0131n Sanat\u00e7\u0131 Yok?\u201d<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Amerikal\u0131, sanat tarih\u00e7i Linda Nochlin\u2019in 1970\u2019lerin ba\u015f\u0131nda ayn\u0131 isimli makalesi<sup data-fn=\"835c35e6-b11d-4cdd-861a-865c18664c9b\" class=\"fn\"><a id=\"835c35e6-b11d-4cdd-861a-865c18664c9b-link\" href=\"#835c35e6-b11d-4cdd-861a-865c18664c9b\">3<\/a><\/sup> yo\u011fun tart\u0131\u015fmalar\u0131 beraberinde getiriyor. Nochlin b\u00fcy\u00fck sanat\u00e7\u0131 olarak uydurulan kategoriye kad\u0131nlar\u0131n dahil olmas\u0131n\u0131n imk\u00e2ns\u0131zl\u0131\u011f\u0131ndan bahsediyor yaz\u0131s\u0131nda. \u00c7\u00fcnk\u00fc bu b\u00fcy\u00fck sanat\u00e7\u0131 kategorisi&nbsp; \u201cbeyaz, \u00fcst s\u0131n\u0131f, erkekler\u201dden olu\u015fuyor. Dolay\u0131s\u0131yla eril olarak cinsiyetlendirilmi\u015f olan bu alanda kad\u0131nlar\u0131n yer almas\u0131 m\u00fcmk\u00fcn de\u011fil.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00fcm zorluklara ra\u011fmen kad\u0131nlar, \u00f6zne olarak sanat \u00fcretmeye devam etse de \u00fcretimleri g\u00f6rmezden gelindi\u011fi i\u00e7in temsiliyetleri olduk\u00e7a c\u0131l\u0131z kal\u0131yor. Kad\u0131n sanat\u00e7\u0131lar\u0131n ne denli ara\u015ft\u0131r\u0131ld\u0131\u011f\u0131 ve karanl\u0131kta kalan eserlerinin ne denli g\u00fcn y\u00fcz\u00fcne \u00e7\u0131kar\u0131ld\u0131\u011f\u0131 sorular\u0131 da biz feministlerin sormaktan vazge\u00e7medi\u011fi sorulard\u0131r.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Feminist sanat, sanat tarihi kanonunu<\/strong><sup data-fn=\"b79b27d5-a7fc-4469-b9d5-652a88814a7e\" class=\"fn\"><a id=\"b79b27d5-a7fc-4469-b9d5-652a88814a7e-link\" href=\"#b79b27d5-a7fc-4469-b9d5-652a88814a7e\">4<\/a><\/sup><strong> y\u0131k\u0131yor<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kad\u0131nlar\u0131n cinsiyete dayal\u0131 ayr\u0131mc\u0131l\u0131\u011f\u0131 y\u0131kmak i\u00e7in kararl\u0131 ad\u0131mlar\u0131n\u0131n yank\u0131s\u0131n\u0131 20. y\u00fczy\u0131l\u0131n ortalar\u0131ndaki \u00fcretimlerinde duyuyoruz. O zamana kadarki ayr\u0131mc\u0131l\u0131k temelli anlay\u0131\u015f\u0131 de\u015fifre etmeye ve kendileri i\u00e7in daha bilin\u00e7li \u00fcretimler yapmaya ba\u015fl\u0131yorlar. \u0130kinci ku\u015fak feministlerin 1960\u2019lardaki \u00e7al\u0131\u015fmalar\u0131 bu anlamda \u00f6ne \u00e7\u0131k\u0131yor. Resim sanat\u0131na mesafeli ve ele\u015ftirel bir bak\u0131\u015f\u0131n gereklili\u011fini savunuyorlar, sanat tarihi kanonunun y\u0131k\u0131lmas\u0131 gerekti\u011fini s\u00f6yl\u00fcyorlar. Bu ele\u015ftirel \u00e7al\u0131\u015fmalar, baz\u0131 sanat\u00e7\u0131lar\u0131n \u00e7al\u0131\u015fmalar\u0131nda yer buluyor. \u00d6rne\u011fin maske takarak anonim kalmay\u0131 tercih eden feminist kad\u0131n sanat\u00e7\u0131 grubu Guerilla Girls\u2019\u00fcn (Gerilla K\u0131zlar) t\u00fcm performanslar\u0131, bu direni\u015fin bir \u00fcr\u00fcn\u00fc. Sanattaki cinsel ve \u0131rk\u00e7\u0131 ayr\u0131mc\u0131l\u0131kla sanat yoluyla m\u00fccadele ediyorlar.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXccQtrDjNvxPg89Xe_dpREvJ-WCsQsUHMHdmVI77Pcx941TuomRQUYNOqmc4ZuLkLOGV_jdlCZeoGdG0eCARV16ZyOlE4FCc4AdC48ao7fz9mQpb__MRJaEyo2YujUyKokbQG6M?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Kad\u0131nlar\u0131n Metropolitan M\u00fczesi\u2019ne girmesi i\u00e7in ill\u00e2 \u00e7\u0131plak m\u0131 olmas\u0131 gerekiyor?&nbsp; Modern sanat koleksiyonundaki sanat\u00e7\u0131lar\u0131n sadece %5\u2019i kad\u0131nken n\u00fc resimlerin %85\u2019i kad\u0131n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><img loading=\"lazy\" decoding=\"async\" width=\"602\" height=\"465\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXfkBF2oaBINWOndAN3dD8wsAY48SY1kihHrttmOp7SGaNOtwvBzeix13zCKOmt_7ms7ZBf1ofufUpUfe9TM0B-SghaV2ORSyZ3a0qg2oKZcZMIPHjqRtVx_y3QauRNDYZszP1xm?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">               <strong>Kad\u0131n Sanat\u00e7\u0131 Olman\u0131n Avantajlar\u0131<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">               Ba\u015far\u0131 bask\u0131s\u0131 olmadan \u00e7al\u0131\u015fmak<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">               Erkeklerle hi\u00e7bir sergide yer almamak<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">               Fikirlerinin ba\u015fkalar\u0131n\u0131n \u00e7al\u0131\u015fmalar\u0131nda hayat buldu\u011funu g\u00f6rmek<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">               Kariyer ve annelik aras\u0131nda se\u00e7im \u015fans\u0131<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">               E\u015finiz sizi daha gen\u00e7 bir kad\u0131n i\u00e7in terk ettikten sonra \u00e7al\u0131\u015fmak i\u00e7in daha fazla zaman\u0131n\u0131z\u0131n olmas\u0131<\/p>\n\n\n\n<p class=\"has-text-align-left wp-block-paragraph\">               Goril k\u0131yafetiyle sanat dergilerinde yer almak<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Alayc\u0131 bir dille eril sanat camias\u0131n\u0131n kad\u0131n sanat\u00e7\u0131lara vaatlerini sayarken asl\u0131nda \u015f\u00f6yle bir ger\u00e7eklik sunuyor bize: E\u011fer sanat yapan bir kad\u0131nsan\u0131z her zaman k\u0131y\u0131da k\u00f6\u015fede kalan biri olacaks\u0131n\u0131z. Sanat hi\u00e7bir zaman profesyonel bir u\u011fra\u015f de\u011fil, bir t\u00fcr hobi olarak hayat\u0131n\u0131zda yer alacak; m\u00fczelerde, sergilerde yer bulman\u0131z \u00e7ok zor olacak. Bunun verdi\u011fi g\u00f6n\u00fcl rahatl\u0131\u011f\u0131yla (!) \u00e7al\u0131\u015fabilece\u011fimizi, sanat yapabilece\u011fimizi s\u00f6yl\u00fcyorlar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sanat politikan\u0131n i\u00e7inde<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">70\u2019lerde yap\u0131lan akademik \u00e7al\u0131\u015fmalar\u0131n \u00f6nc\u00fclerinden biri de feminist kuramc\u0131 Kate Millett\u2019in <em>Cinsel Politika<\/em> adl\u0131 kitab\u0131d\u0131r<sup data-fn=\"389cd299-0d54-4c95-a49b-386d308316d2\" class=\"fn\"><a id=\"389cd299-0d54-4c95-a49b-386d308316d2-link\" href=\"#389cd299-0d54-4c95-a49b-386d308316d2\">5<\/a><\/sup>. Kitab\u0131nda, sanat eserlerine yeni bir okuma yapma gereklili\u011finden s\u00f6z eden Millett, sanat\u0131n politikadan ayr\u0131 olmad\u0131\u011f\u0131n\u0131 s\u00f6yler. Yukar\u0131da Segantini\u2019nin \u0130ki Anne tablosunda s\u00f6z\u00fcn\u00fc etti\u011fimiz kad\u0131n\u0131n do\u011faya aidiyeti temsiliyetini ele\u015ftirircesine \u201cAtaerkillik, ancak kendisini do\u011falm\u0131\u015f gibi yutturmaktaki ba\u015far\u0131s\u0131 sayesinde, istikrarl\u0131 ve g\u00fc\u00e7l\u00fc bir egemenlik kurabilmi\u015ftir.\u201d der<sup data-fn=\"295c78dc-2f82-49ce-96dd-ba3e4c4231f2\" class=\"fn\"><a id=\"295c78dc-2f82-49ce-96dd-ba3e4c4231f2-link\" href=\"#295c78dc-2f82-49ce-96dd-ba3e4c4231f2\">6<\/a><\/sup>.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">John Berger de <em>G\u00f6rme Bi\u00e7imleri<\/em>\u2019nde<sup data-fn=\"7a38c99e-5a83-4598-891a-70508a159fab\" class=\"fn\"><a id=\"7a38c99e-5a83-4598-891a-70508a159fab-link\" href=\"#7a38c99e-5a83-4598-891a-70508a159fab\">7<\/a><\/sup> kad\u0131nlar\u0131n seyredilen, erke\u011fin de seyreden rolleriyle in\u015fa edildi\u011fini, kad\u0131nlar\u0131n erke\u011fin g\u00f6z\u00fcnden ve onun cinsiyet kal\u0131plar\u0131na dayal\u0131 tan\u0131mlar\u0131 \u00fczerinden temsil edildi\u011fini s\u00f6yler.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sanat\u00e7\u0131lar\u0131n \u00fcrettikleri refleksler<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00fcm bunlar \u0131\u015f\u0131\u011f\u0131nda 1970\u2019li y\u0131llardan bu yana feminist sanat ve feminist ele\u015ftiri,&nbsp; kad\u0131nlar\u0131n sistematik olarak sanat tarihinden d\u0131\u015fland\u0131klar\u0131n\u0131 dile getiriyor. Kad\u0131nlar\u0131n, eril toplumsal \u00e7er\u00e7evelere dayal\u0131 olarak kurgulanm\u0131\u015f \u00f6zneler olarak temsil edildi\u011fini, yapt\u0131klar\u0131 ele\u015ftirel \u00e7al\u0131\u015fmalarla bize g\u00f6steriyorlar. Ve dahas\u0131 erkeklerden olu\u015fan kanonu bozmaya giri\u015fiyorlar. M\u00fcze koleksiyonlar\u0131nda, sanat yay\u0131nlar\u0131nda, piyasa dinamiklerinde e\u015fitlik sa\u011flamak amac\u0131yla kad\u0131nlar\u0131 \u00f6zne olarak tarihe yazman\u0131n pe\u015fine d\u00fc\u015f\u00fcyorlar. Kad\u0131nlar\u0131n temsil edilme bi\u00e7imlerini, iktidar ili\u015fkilerinin alt\u0131n\u0131 oyarak de\u011fi\u015ftirme gayesiyle \u00fcretiyorlar.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>D\u00f6neme\u00e7: Kat\u0131l\u0131mc\u0131 Sanat<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">1990\u2019larda d\u00fcnyan\u0131n pek \u00e7ok yerinde kat\u0131l\u0131mc\u0131 ve i\u015f birli\u011fine dayal\u0131 sanat anlay\u0131\u015f\u0131 geli\u015fiyor. Sanat\u00e7\u0131lar, geleneksel sanat\u00e7\u0131 at\u00f6lyesi d\u0131\u015f\u0131nda, sanat\u0131n geni\u015fleyen mek\u00e2n anlay\u0131\u015f\u0131yla birlikte \u201cSosyal \u0130\u00e7erikli Sanat, Topluluk Temelli Sanat, Deneysel Topluluklar, Kat\u0131l\u0131mc\u0131 Sanat, \u0130\u015f Birli\u011fine Dayal\u0131 Sanat\u201d gibi isimlerle yeni pratikler \u00fcretiyorlar. Performans sanatlar\u0131ndaki gibi sanat\u0131n malzemesinin insanlar oldu\u011fu fikriyle topluluklar kuruyorlar. Sanat\u00e7\u0131lar, kat\u0131l\u0131mla ortaya \u00e7\u0131kan yarat\u0131c\u0131l\u0131klarla ilgileniyorlar. Farkl\u0131 nesneler \u00fcreten de\u011fil de durumlar icat eden, durumlar\u0131n orta\u011f\u0131, \u00fcreticisi olarak g\u00f6r\u00fcl\u00fcyorlar. Sanat yap\u0131t\u0131n\u0131 metaya d\u00f6n\u00fc\u015febilen olmu\u015f bitmi\u015f bir nesne yerine ba\u015f\u0131 sonu belirsiz, devam eden bir proje olarak yeniden tan\u0131ml\u0131yorlar. Daha \u00f6nceden izleyici olarak g\u00f6r\u00fclenler, art\u0131k ortak \u00fcretici, kat\u0131l\u0131mc\u0131 olarak yeni bir konuma sahip oluyorlar. T\u00fcm bunlarla ama\u00e7lanan, kapitalizm ile sanat\u00e7\u0131n\u0131n geleneksel \u00fcretim ve t\u00fcketimine bask\u0131 yapmak. Sanat\u0131, toplumsal olanla ve onun siyasi potansiyelle ili\u015fkisi \u0131\u015f\u0131\u011f\u0131nda yeniden ele almak. Kapitalizmin yabanc\u0131la\u015ft\u0131r\u0131c\u0131 ve b\u00f6l\u00fcc\u00fc etkilerine kar\u015f\u0131 kolektif olarak \u00fcretilen durumlar ortaya \u00e7\u0131karmak. Hissizle\u015fmi\u015f, par\u00e7alanm\u0131\u015f toplumu yeniden bir araya getirmek, insanile\u015ftirmek;&nbsp; imgeye, nesneye bo\u011fulmu\u015f sanat d\u00fcnyas\u0131n\u0131, nesne t\u00fcketen pasif izleyicileri bozmak ve bunun etraf\u0131nda olu\u015fan sanat d\u00fcnyas\u0131n\u0131 ele\u015ftirmek. Bunun yerine ger\u00e7ek etkile\u015fimi koyarak, toplumsal bir aradal\u0131klar\u0131 \u00f6nemseyen ve toplumsal ba\u011flar\u0131 onaracak etkinlikler ger\u00e7ekle\u015ftiriyorlar. T\u00fcm bunlar\u0131n piyasa kar\u015f\u0131t\u0131 olmas\u0131, sanat\u0131n maddesizle\u015fmesine de katk\u0131 sunuyor.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXe1fneOT5BYthpk1EMNKwPCKHEGjcgXS3N_JrxaOLPcecNhOI6o7Rd3_vtR4URaGpjTvqdz4MF2NWU1X2xohx-MNH1F9xvIV8HKJB-XONe1Mvsd0rYXqc_x__xobo7K3_C_iOxWJA?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" title=\"\"><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Tatlin\u2019in F\u0131s\u0131lt\u0131s\u0131 6, Havana Versiyonu (2006)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">K\u00fcbal\u0131 bir sanat\u00e7\u0131 olan Tania Bruguera\u2019n\u0131n&nbsp; <em>Tatlin\u2019s Whisper<\/em>\u2019da (Tatlin\u2019in F\u0131s\u0131lt\u0131s\u0131) insanlar\u0131n \u00f6zg\u00fcrce konu\u015fabilecekleri bir alan olu\u015fturuyor. \u0130nsanlara bir dakika boyunca d\u00fc\u015f\u00fcnd\u00fcklerini, istedikleri \u015fekilde mikrofonda s\u00f6yleyebilecekleri bir ortam olu\u015fturuyor. Ger\u00e7ek d\u00fcnyada mikrofonda \u00f6zg\u00fcrce konu\u015fan biri, nas\u0131l polisler taraf\u0131ndan al\u0131n\u0131p g\u00f6t\u00fcr\u00fcl\u00fcyorsa burada da polisler, gelip konu\u015fan ki\u015fileri g\u00f6t\u00fcr\u00fcyor. Sanat\u00e7\u0131 ger\u00e7ek hayattaki bir durumu, ger\u00e7ek hayatta ya\u015fand\u0131\u011f\u0131 bi\u00e7imiyle sanat\u0131n i\u00e7inde yeniden tekrar ediyor.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sanat\u00e7\u0131, sanat\u0131n \u00f6tesine ge\u00e7me fikrinin kendisini cezbetti\u011fini ve insanlar\u0131 \u201cbu bir sanat eseri mi, burada ne oluyor\u201d gibi sorularla me\u015fgul etmeyi sevdi\u011fini s\u00f6yl\u00fcyor. Politik bir sanat\u00e7\u0131 olarak da sanat\u0131n ger\u00e7ek sonu\u00e7lar\u0131yla ilgilendi\u011fini belirtiyor. Ki\u015fisel kavray\u0131\u015f\u0131 g\u00fc\u00e7lendirmek yerine kat\u0131l\u0131mc\u0131 sosyal durumlar olu\u015fturmakla ilgileniyor. G\u00fc\u00e7 ili\u015fkilerini merkeze al\u0131p sanat arac\u0131l\u0131\u011f\u0131yla bunlara m\u00fcdahale etmeyi ama\u00e7l\u0131yor. \u00c7al\u0131\u015fmalar\u0131nda oyuncular yerine ger\u00e7ek insanlardan destek al\u0131yor.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Tania Bruguera \u2013 Tatlin&#039;s Whisper #5 | TateShots\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/x7L1s_GWn3o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Sanat\u00e7\u0131n\u0131n izleyenlerde bulan\u0131kl\u0131k yaratmay\u0131 sevdi\u011fi bir di\u011fer performans\u0131 da Tate Modern\u2019e atl\u0131 askerleri sokup insanlara ne yapmalar\u0131 gerekti\u011fini s\u00f6yletti\u011fi performans.<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter is-resized\"><img decoding=\"async\" src=\"https:\/\/lh7-rt.googleusercontent.com\/docsz\/AD_4nXe4trO1skMVVPRYICFQ8mIhNt-fixvjFqKOOt78ppwum4zRW63-7lHZ_VoikeofmNkMIMe7eHwiYVV2au_AlBBxGxLRanLcVB_wtTSPzNQ6cu7-ab_jNrpaM9ROXFckm0p6AVVGUg?key=7hgRH7P1KZ2N2Q0_3koy6HKc\" alt=\"-\" style=\"width:524px;height:auto\" title=\"\"><\/figure>\n\n\n\n<p class=\"has-text-align-center wp-block-paragraph\">Siluet Serisi (1973-1977)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Yine feminist sanat\u0131n \u00f6nc\u00fc sanat\u00e7\u0131lar\u0131ndan biri olan Ana Mendieta da performanslar\u0131n\u0131 izleyiciyi tepkisizlikten \u00e7\u0131karmak amac\u0131yla yapt\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor. Bu performans\u0131nda da do\u011fan\u0131n gelip ge\u00e7ici d\u00f6ng\u00fcs\u00fc i\u00e7inde do\u011fayla organik bir ili\u015fki kurman\u0131n \u00f6nemine ve \u00e7\u00fcr\u00fcyen, bozulan bedene i\u015faret ediyor.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her iki sanat\u00e7\u0131da da izleyiciye yeni bir anlam ula\u015ft\u0131rma derdini ve formlar\u0131 a\u015fma hedefini g\u00f6rebiliyoruz. \u0130ki sanat\u00e7\u0131 da bug\u00fcn\u00fcn d\u00fcnyas\u0131n\u0131n \u00f6nemli sorunlar\u0131n\u0131 \u00e7al\u0131\u015fmalar\u0131na konu ediyor: Tania Bruguera yabanc\u0131la\u015fmaya kar\u015f\u0131 bir tutum sergilerken kolektivizmi \u00f6v\u00fcyor, \u00f6ne \u00e7\u0131kar\u0131yor; Ana Mendieta cinsiyete, kimli\u011fe dair s\u0131n\u0131rlar\u0131 a\u015fmakla ilgileniyor. 1970\u2019lerin ele\u015ftirel kad\u0131n \u00e7al\u0131\u015fmalar\u0131 ve kad\u0131nlar\u0131n t\u00fcm ya\u015fam\u0131na s\u00f6k\u00fcn eden ele\u015ftirel feminist bak\u0131\u015f \u00fcretilen feminist \u00e7al\u0131\u015fmalar, eril tahakk\u00fcm\u00fcn farkl\u0131 suretlerini de\u015fifre edip kad\u0131nlar\u0131n kendi anlat\u0131lar\u0131n\u0131n \u00f6znesi olmas\u0131 i\u00e7in bizleri cesaretlendiriyor. T\u0131pk\u0131 Tania ve Ana gibi eril d\u00fcnyan\u0131n s\u0131n\u0131rlar\u0131n\u0131 tan\u0131mayan, kapitalist yozla\u015fmaya meydan okuyan, imgenin cinsiyetini ve bi\u00e7imini bozmaya giri\u015fen feminist sanat\u00e7\u0131larla \u00e7atlaklardan s\u0131zmak m\u00fcmk\u00fcn h\u00e2le geliyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kat\u0131l\u0131mc\u0131 sanat\u0131, sanat kanonunu yerle bir etmek isteyenlerin bir ba\u015f kald\u0131r\u0131s\u0131 olarak d\u00fc\u015f\u00fcnebiliriz. Fakat kendi anlam d\u00fcnyas\u0131n\u0131 ne kadar kolektifle\u015firip piyasa ili\u015fkilerinden uzak tutarsa ve farkl\u0131 sosyal s\u0131n\u0131ftan insan\u0131 sanat\u0131na katman\u0131n pe\u015fine d\u00fc\u015ferse o denli kad\u0131nlar\u0131n ve ezilenlerin sanat\u0131 olmay\u0131 ba\u015farabilecek.&nbsp;<\/p>\n\n\n<ol class=\"wp-block-footnotes\"><li id=\"9d4a4e7c-7a36-4e71-a328-253aed02ec28\">\u00a0<a href=\"https:\/\/tr.wikipedia.org\/wiki\/Urbino_Ven%C3%BCs%C3%BC\" target=\"_blank\" rel=\"noopener\">https:\/\/tr.wikipedia.org\/wiki\/Urbino_Ven%C3%BCs%C3%BC<\/a> <a href=\"#9d4a4e7c-7a36-4e71-a328-253aed02ec28-link\" aria-label=\"Jump to footnote reference 1\">\u21a9\ufe0e<\/a><\/li><li id=\"820c063d-cf40-4a51-a5eb-8e4c044c4150\">\u00a0<a href=\"https:\/\/tr.wikipedia.org\/wiki\/Uyuyan_Ven%C3%BCs\" target=\"_blank\" rel=\"noopener\">https:\/\/tr.wikipedia.org\/wiki\/Uyuyan_Ven%C3%BCs<\/a> <a href=\"#820c063d-cf40-4a51-a5eb-8e4c044c4150-link\" aria-label=\"Jump to footnote reference 2\">\u21a9\ufe0e<\/a><\/li><li id=\"835c35e6-b11d-4cdd-861a-865c18664c9b\">Linda Nochlin, <em>Neden Hi\u00e7 B\u00fcy\u00fck Kad\u0131n Sanat\u00e7\u0131 Yok?<\/em>, HayalPerest Yay\u0131nevi, 2022. <a href=\"#835c35e6-b11d-4cdd-861a-865c18664c9b-link\" aria-label=\"Jump to footnote reference 3\">\u21a9\ufe0e<\/a><\/li><li id=\"b79b27d5-a7fc-4469-b9d5-652a88814a7e\">Kanun s\u00f6zc\u00fc\u011f\u00fcnden olu\u015fturulmu\u015ftur. Resim sanat\u0131nda kanon, insan fig\u00fcr\u00fcn\u00fcn \u00e7iziminde kullan\u0131lan orant\u0131lar ve bunlar\u0131n birbirleriyle olan ili\u015fkilerini i\u00e7eren bir kural ya da sistemdir. <a href=\"#b79b27d5-a7fc-4469-b9d5-652a88814a7e-link\" aria-label=\"Jump to footnote reference 4\">\u21a9\ufe0e<\/a><\/li><li id=\"389cd299-0d54-4c95-a49b-386d308316d2\">Kate Millett, <em>Cinsel Politika<\/em>, Can Yay\u0131nlar\u0131, 2024. <a href=\"#389cd299-0d54-4c95-a49b-386d308316d2-link\" aria-label=\"Jump to footnote reference 5\">\u21a9\ufe0e<\/a><\/li><li id=\"295c78dc-2f82-49ce-96dd-ba3e4c4231f2\">a.g.e. <a href=\"#295c78dc-2f82-49ce-96dd-ba3e4c4231f2-link\" aria-label=\"Jump to footnote reference 6\">\u21a9\ufe0e<\/a><\/li><li id=\"7a38c99e-5a83-4598-891a-70508a159fab\">John Berger, <em>G\u00f6rme Bi\u00e7imleri<\/em>, Metis Yay\u0131nlar\u0131, 2019. <a href=\"#7a38c99e-5a83-4598-891a-70508a159fab-link\" aria-label=\"Jump to footnote reference 7\">\u21a9\ufe0e<\/a><\/li><\/ol>\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Mor Dayan\u0131\u015fma \u0130zmir \u0130l Meclisi olarak aral\u0131k ay\u0131nda d\u00fczenledi\u011fimiz Mor Masa Bulu\u015fmalar\u0131\u2019nda Akademisyen, Sanat\u00e7\u0131 Arzu Oto ile \u201cKad\u0131nlar, Sanat ve \u0130deoloji\u201d hakk\u0131nda konu\u015ftuk. Resim sanat\u0131nda nesnele\u015ftirilen kad\u0131n\u0131n sanat\u00e7\u0131 \u00f6zneli\u011fe yol al\u0131\u015f\u0131n\u0131, eril sanat kanonundaki imge bombard\u0131man\u0131na feminist sanatla nas\u0131l s\u0131rt \u00e7evirebilece\u011fimizi konu\u015ftuk. Feminist sanat\u0131n temel u\u011fra\u015f\u0131 Feminist sanat, en temelde \u201ctemsiliyet\u201d ile u\u011fra\u015f\u0131r, yani bir&hellip;<\/p>","protected":false},"author":5,"featured_media":6315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_eb_attr":"","inline_featured_image":false,"footnotes":"[{\"content\":\"\u00a0<a href=\\\"https:\/\/tr.wikipedia.org\/wiki\/Urbino_Ven%C3%BCs%C3%BC\\\">https:\/\/tr.wikipedia.org\/wiki\/Urbino_Ven%C3%BCs%C3%BC<\/a>\",\"id\":\"9d4a4e7c-7a36-4e71-a328-253aed02ec28\"},{\"content\":\"\u00a0<a href=\\\"https:\/\/tr.wikipedia.org\/wiki\/Uyuyan_Ven%C3%BCs\\\">https:\/\/tr.wikipedia.org\/wiki\/Uyuyan_Ven%C3%BCs<\/a>\",\"id\":\"820c063d-cf40-4a51-a5eb-8e4c044c4150\"},{\"content\":\"Linda Nochlin, <em>Neden Hi\u00e7 B\u00fcy\u00fck Kad\u0131n Sanat\u00e7\u0131 Yok?<\/em>, HayalPerest Yay\u0131nevi, 2022.\",\"id\":\"835c35e6-b11d-4cdd-861a-865c18664c9b\"},{\"content\":\"Kanun s\u00f6zc\u00fc\u011f\u00fcnden olu\u015fturulmu\u015ftur. Resim sanat\u0131nda kanon, insan fig\u00fcr\u00fcn\u00fcn \u00e7iziminde kullan\u0131lan orant\u0131lar ve bunlar\u0131n birbirleriyle olan ili\u015fkilerini i\u00e7eren bir kural ya da sistemdir.\",\"id\":\"b79b27d5-a7fc-4469-b9d5-652a88814a7e\"},{\"content\":\"Kate Millett, <em>Cinsel Politika<\/em>, Can Yay\u0131nlar\u0131, 2024.\",\"id\":\"389cd299-0d54-4c95-a49b-386d308316d2\"},{\"content\":\"a.g.e.\",\"id\":\"295c78dc-2f82-49ce-96dd-ba3e4c4231f2\"},{\"content\":\"John Berger, <em>G\u00f6rme Bi\u00e7imleri<\/em>, Metis Yay\u0131nlar\u0131, 2019.\",\"id\":\"7a38c99e-5a83-4598-891a-70508a159fab\"}]"},"categories":[98,561],"tags":[1335,212,1334],"ppma_author":[613],"class_list":["post-6311","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-mor-masa","tag-eril-imge","tag-feminist-sanat","tag-katilimci-sanat","author-kolektif"],"authors":[{"term_id":613,"user_id":0,"is_guest":1,"slug":"kolektif","display_name":"Kolektif","avatar_url":"https:\/\/www.mordayanisma.org\/wp-content\/litespeed\/avatar\/fefdbcbd649cfc34ba2bc325b4cb21fd.jpg?ver=1784191119","author_category":"","first_name":"Kolektif","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/6311","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/comments?post=6311"}],"version-history":[{"count":0,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/6311\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media\/6315"}],"wp:attachment":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media?parent=6311"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/categories?post=6311"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/tags?post=6311"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/ppma_author?post=6311"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}