{"id":4729,"date":"2024-12-18T18:49:21","date_gmt":"2024-12-18T15:49:21","guid":{"rendered":"https:\/\/www.mordayanisma.org\/?p=4729"},"modified":"2026-01-13T15:06:43","modified_gmt":"2026-01-13T12:06:43","slug":"annie-ernaux-uzerine-dusunduklerimiz-birileri-ve-biz","status":"publish","type":"post","link":"https:\/\/www.mordayanisma.org\/en\/2024\/12\/18\/annie-ernaux-uzerine-dusunduklerimiz-birileri-ve-biz\/","title":{"rendered":"Annie Ernaux \u00dczerine D\u00fc\u015f\u00fcnd\u00fcklerimiz: Birileri ve Biz&#8230;"},"content":{"rendered":"<p class=\"wp-block-paragraph\"><em>&#8220;Nereden ba\u015flasam? Bombo\u015f bir sayfaya bakarak defalarca sordum bu soruyu kendime. Kitab\u0131 yazmaya giri\u015fmemi sa\u011flayacak ve t\u00fcm \u015f\u00fcpheleri tek bir hamlede al\u0131p g\u00f6t\u00fcrecek o c\u00fcmleyi, o tek bir c\u00fcmleyi \u2013bir nevi anahtar\u0131\u2013 bulmak zorundayd\u0131m sanki.\u201d<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Annie Ernaux, Nobel Konu\u015fmas\u0131, 2022<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Her \u015fey, yazar arkada\u015f\u0131m \u015eeng\u00fcl Can\u2019\u0131n Annie Ernaux\u2019yu kad\u0131nlarla konu\u015fma iste\u011fiyle ba\u015flad\u0131. Asl\u0131nda okudu\u011fum bir yazar olmas\u0131na ra\u011fmen, bunca zaman neden \u00fcst\u00fcne d\u00fc\u015fmedi\u011fime \u015fa\u015f\u0131rd\u0131m. Eserlerinin yan\u0131 s\u0131ra, ne bulduysam ara\u015ft\u0131rmaya giri\u015ftim. H\u00e2lbuki Ernaux\u2019nun kendisini ba\u015fkas\u0131n\u0131n anlatmas\u0131na hi\u00e7 gerek yoktu. Nobel konu\u015fmas\u0131nda da belirtti\u011fi gibi eserlerini \u201cHalk\u0131m\u0131n intikam\u0131n\u0131 almak i\u00e7in\u201d yaz\u0131yordu Ernaux. Okuyarak, yazarak, anlatarak s\u0131n\u0131f\u0131n\u0131n intikam\u0131n\u0131 alacakt\u0131, annesi ise s\u0131n\u0131f atlamas\u0131 i\u00e7in okumas\u0131n\u0131 istiyordu k\u0131z\u0131n\u0131n\u2026 Oldu da asl\u0131nda. Ernaux \u00fcst s\u0131n\u0131ftan bir evlilik yapt\u0131, \u00e7ocuklu\u011fundan itibaren ya\u015fad\u0131\u011f\u0131 her \u015feyi, toplumsal belle\u011fimizde sadece burjuva s\u0131n\u0131f\u0131na dair ya\u015fant\u0131lar kalmas\u0131n diye, i\u015f\u00e7i s\u0131n\u0131f\u0131n\u0131n ya\u015fam\u0131n\u0131 t\u00fcm \u00e7\u0131plakl\u0131\u011f\u0131yla anlatt\u0131 eserlerinde.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:30px\">&#8220;<strong><em>Kendi hayat\u0131n\u0131, deneyimlerini toplumsal olanla birle\u015ftirip, olan\u0131 oldu\u011fu gibi yans\u0131tarak aktar\u0131rken yine kendi deyimiyle an\u0131lar\u0131n \u015fiirselli\u011fine, e\u011flenceli alayc\u0131l\u0131\u011fa yer vermiyor<\/em><\/strong>.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ernaux, 1940 y\u0131l\u0131nda Fransa\u2019da i\u015f\u00e7i s\u0131n\u0131f\u0131ndan bir ailede d\u00fcnyaya geliyor. Ailesi, t\u0131pk\u0131 di\u011fer yoksul aileler gibi, kendi tabiriyle kaba saba, estetikten, soyut d\u00fc\u015f\u00fcnceden yoksun ve sadece \u201c\u00e7al\u0131\u015fmak\u201d temelinde bir ya\u015fam\u0131 hayal edebilen bir anne-baba\u2026 Ernaux ise edebiyatla yolu kesi\u015fti\u011fi k\u00fc\u00e7\u00fck ya\u015flardan itibaren d\u00fc\u015f\u00fcnsel anlamda bu duruma uyum sa\u011flayam\u0131yor ve ka\u00e7\u0131\u015f\u0131 yine edebiyatta buluyor, daha sonra edebiyat \u00f6\u011fretmeni olarak da ilk somut s\u0131n\u0131f atlay\u0131\u015f\u0131n\u0131 ger\u00e7ekle\u015ftiriyor. Burjuva bir aileden gelen e\u015fiyle de bu s\u0131n\u0131f atlama ta\u00e7lanm\u0131\u015f oluyor! Bu ta\u00e7lanma durumu Ernaux\u2019yu bekledi\u011finin aksine rahats\u0131z ediyor, Bourdieu etkisiyle asl\u0131nda \u201cs\u0131n\u0131f atlama\u201dn\u0131n paradan ba\u015fka boyutlar\u0131 da oldu\u011fuyla y\u00fczle\u015fiyor ve burjuva ya\u015fam\u0131 i\u00e7erisindeki \u201cmakbul\u201d davran\u0131\u015flar\u0131 da g\u00f6zlemlemeye ba\u015fl\u0131yor. Bir t\u00fcr fark\u0131ndal\u0131k ve sorgulama\u2026 Tabii kendi ki\u015fisel hayat\u0131nda t\u00fcm bunlar olurken Fransa\u2019daki toplumsal geli\u015fmeleri de eserlerinde anlatmay\u0131 es ge\u00e7miyor. Hatta k\u00fcrtaj konusunu i\u015fleyi\u015f bi\u00e7imi d\u00f6nemine g\u00f6re ve hatta \u015fimdiye g\u00f6re dahi olduk\u00e7a iddial\u0131 diyebiliriz. Kendi hayat\u0131n\u0131, deneyimlerini toplumsal olanla birle\u015ftirip, olan\u0131 oldu\u011fu gibi yans\u0131tarak aktar\u0131rken yine kendi deyimiyle <em>an\u0131lar\u0131n \u015fiirselli\u011fine, e\u011flenceli alayc\u0131l\u0131\u011fa <\/em>yer vermiyor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Hakk\u0131nda yazmak da konu\u015fmak da asl\u0131nda zor bir deneyim bir yandan\u2026 Eserlerinin hangi y\u00f6n\u00fcn\u00fc anlatsam, konu\u015fsam di\u011ferini eksik b\u0131rakman\u0131n kayg\u0131s\u0131 beliriyor i\u00e7imde. Bu y\u00fczden, t\u0131pk\u0131 onun nereden ba\u015flayaca\u011f\u0131n\u0131 bilemedi\u011fi gibi, ben de bu sat\u0131rlar\u0131 yazmaya nereden ba\u015flayaca\u011f\u0131m\u0131 uzunca d\u00fc\u015f\u00fcnd\u00fcm. Kad\u0131n olma, s\u0131n\u0131f meselesi, toplumsal bellek hatta belki abart\u0131p Freudyen \u00e7\u0131kar\u0131mlar bile yapabilirdim! Fakat ona ihanet etmeden, t\u0131pk\u0131 onun se\u00e7ti\u011fi gibi, s\u0131n\u0131f meselesini temele al\u0131p bu s\u0131n\u0131f\u0131n i\u00e7erisindeki bir alt s\u0131n\u0131f olan kad\u0131nlara vurgu yapmak san\u0131r\u0131m en do\u011frusu.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mor Dayan\u0131\u015fma\u2019da kad\u0131nlarla Ernaux hakk\u0131nda ilk kez konu\u015ftuktan sonra asl\u0131nda \u015fa\u015fk\u0131nd\u0131m. 2024 Marmara B\u00f6lgesi Yaz Kamp\u0131\u2019nda farkl\u0131 ya\u015flardan, farkl\u0131 hayatlar\u0131n i\u00e7inden gelen pek \u00e7ok kad\u0131n; farkl\u0131 bir co\u011frafyadan, farkl\u0131 bir dilden, farkl\u0131 bir kad\u0131n\u0131 \u00f6ylesine anl\u0131yorduk ki zaman\u0131n, mek\u00e2n\u0131n \u00f6tesine ge\u00e7en bir deneyime d\u00f6n\u00fc\u015ft\u00fc s\u00f6yle\u015fi. K\u00fcrtaj hakk\u0131, a\u015fk, i\u015f\u00e7ilikten esnafl\u0131\u011fa ge\u00e7mi\u015f bir ailede, alt s\u0131n\u0131ftan insanlar\u0131n ya\u015fad\u0131\u011f\u0131 bir mahallede b\u00fcy\u00fcyen bir gen\u00e7 k\u0131zdan okuyarak ama \u00e7ok okuyarak s\u0131n\u0131f\u0131n\u0131 de\u011fi\u015ftirebilece\u011fini zanneden bir kad\u0131na d\u00f6n\u00fc\u015fmek ama sonra asl\u0131nda o s\u0131n\u0131f\u0131n sadece sat\u0131n alabildiklerinden ibaret olmad\u0131\u011f\u0131n\u0131 anlamak ve \u00f6fkelenmek\u2026<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T\u00fcm bunlar\u0131n sahicili\u011finin y\u00fcz\u00fcm\u00fcze \u00e7arpmas\u0131n\u0131n ve deneyimimizin mek\u00e2n\u0131n, co\u011frafyan\u0131n, dilin \u00f6tesine ge\u00e7mesinin yeg\u00e2ne sebebi ku\u015fkusuz i\u00e7inde ya\u015fad\u0131\u011f\u0131m\u0131z \u201cpatriyarkal kapitalist sistem\u201ddi. Ernaux\u2019nun annesi de korkuyordu Ernaux\u2019nun evlenmeden hamile kalmas\u0131ndan, k\u00fcrtaj meselesi hakk\u0131nda Fransa\u2019da da erkekler konu\u015fuyordu mecliste ve sokakta, orada da mahalle bask\u0131s\u0131 her \u015feyden \u00f6nde geliyordu kad\u0131n i\u00e7in, y\u0131kad\u0131\u011f\u0131 \u00e7ama\u015f\u0131rlar\u0131n beyazl\u0131k seviyesine dertlenmek zorunda kal\u0131yordu kad\u0131n orada da ama ne\u015fesi de benziyordu bizim ne\u015femize, \u00f6fkesi de.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Mor Dayan\u0131\u015fma Kad\u0131k\u00f6y derne\u011fimizde Ernaux\u2019nun \u201cBabam\u0131n Yeri\u201d kitab\u0131n\u0131 beraber okumaya ba\u015flad\u0131k. Ernaux\u2019nun ge\u00e7mi\u015fiyle hesapla\u015fmas\u0131n\u0131 kurguya dayand\u0131rmadan yazd\u0131\u011f\u0131 ve \u201coto-sosyo-biyografi\u201d olarak adland\u0131rabilece\u011fimiz ilk eseriydi bu. Sonras\u0131nda yazd\u0131\u011f\u0131 t\u00fcm eserleri kendisine has bu y\u00f6ntemle yazd\u0131 Ernaux. Normalde plan\u0131m\u0131zda iki hafta konu\u015fmak varken o incecik kitapta kendi hayatlar\u0131m\u0131za dair \u00f6yle \u00e7arp\u0131c\u0131 detaylarla kar\u015f\u0131la\u015ft\u0131k ki oturumlar\u0131m\u0131z\u0131 d\u00f6rde \u00e7\u0131kard\u0131k. Ernaux \u00fczerinden ya\u015fad\u0131\u011f\u0131m\u0131z bu deneyimin hem bana hem de kat\u0131lan di\u011fer kad\u0131nlara pek \u00e7ok y\u00f6n\u00fcyle dokundu\u011funa neredeyse eminim. (Kendileri ad\u0131na konu\u015ftu\u011fum i\u00e7in af diliyorum.) Bireysel t\u00fcm farkl\u0131l\u0131klar\u0131m\u0131za ra\u011fmen ayn\u0131l\u0131\u011f\u0131m\u0131z hem geldi\u011fimiz s\u0131n\u0131f hem de kad\u0131n olmam\u0131zla ilgiliydi \u00e7o\u011fu zaman.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:30px\">&#8220;<strong><em>O &#8216;biz&#8217; k\u00fc\u00e7\u00fck kasabalarda, b\u00fcy\u00fck kentlerin k\u00fc\u00e7\u00fck mahallelerinde, eme\u011fi ile hayatta kalmaya \u00e7al\u0131\u015fan, kapitalizmin b\u00fcy\u00fck krizlerinde en \u00e7ok bedel \u00f6deyen i\u015f\u00e7i s\u0131n\u0131f\u0131 elbette. Hayat\u0131 belli s\u0131n\u0131rlar i\u00e7erisine hapsedilmi\u015f ve gittik\u00e7e daralt\u0131lan, sermaye daha \u00e7ok b\u00fcy\u00fcs\u00fcn diye haklar\u0131 s\u00fcrekli k\u0131rp\u0131lan, k\u00fclt\u00fcrs\u00fczl\u00fckle itham edilen, m\u00fclks\u00fczle\u015ftirilen, insanca ya\u015fam s\u00fcrmenin ne oldu\u011funu d\u00fc\u015f\u00fcnmesine bile f\u0131rsat verilmeyen, kanaat etmesi \u00f6\u011f\u00fctlenen ve bazen de romantize edilen bir &#8216;t\u00fcr&#8217;<\/em><\/strong>&#8221; <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Edebiyat\u0131n ve sanat\u0131n bir d\u00f6nem nas\u0131l da y\u00fczy\u0131llarca sadece burjuva ya\u015fam\u0131n\u0131 anlatt\u0131\u011f\u0131n\u0131 ve bizim de edebiyat\u0131n anlatt\u0131\u011f\u0131 hayat\u0131 \u201cbizden ba\u015fka herkesin hayat\u0131\u201d sand\u0131\u011f\u0131m\u0131z\u0131 Ernaux sayesinde bir kere daha anlad\u0131\u011f\u0131m\u0131z\u0131 d\u00fc\u015f\u00fcn\u00fcyorum. Peki, bu \u201cbiz\u201d kimdi? Babam\u0131n Yeri\u2019nde \u015f\u00f6yle diyordu Ernaux \u201cArt\u0131k \u00e7o\u011funlukla \u201cbiz\u201d diyorum, \u00e7\u00fcnk\u00fc \u00e7ok uzun bir s\u00fcre ben de bu \u015fekilde d\u00fc\u015f\u00fcnd\u00fcm ve ne zamandan beri b\u00f6yle d\u00fc\u015f\u00fcnmeyi b\u0131rakt\u0131\u011f\u0131m\u0131 bilmiyorum.\u201d O \u201cbiz\u201d k\u00fc\u00e7\u00fck kasabalarda, b\u00fcy\u00fck kentlerin k\u00fc\u00e7\u00fck mahallelerinde, eme\u011fi ile hayatta kalmaya \u00e7al\u0131\u015fan, kapitalizmin b\u00fcy\u00fck krizlerinde en \u00e7ok bedel \u00f6deyen i\u015f\u00e7i s\u0131n\u0131f\u0131 elbette. Hayat\u0131 belli s\u0131n\u0131rlar i\u00e7erisine hapsedilmi\u015f ve gittik\u00e7e daralt\u0131lan, sermaye daha \u00e7ok b\u00fcy\u00fcs\u00fcn diye haklar\u0131 s\u00fcrekli k\u0131rp\u0131lan, k\u00fclt\u00fcrs\u00fczl\u00fckle itham edilen, m\u00fclks\u00fczle\u015ftirilen, insanca ya\u015fam s\u00fcrmenin ne oldu\u011funu d\u00fc\u015f\u00fcnmesine bile f\u0131rsat verilmeyen, kanaat etmesi \u00f6\u011f\u00fctlenen ve bazen de romantize edilen bir \u201ct\u00fcr\u201d. Ernaux bunu Babam\u0131n Yeri\u2019nde \u015f\u00f6yle ifade ediyor: \u201cBir g\u00fcn \u00f6\u011fretmenlerimden biri ge\u00e7erken u\u011frad\u0131\u011f\u0131nda, evin ne kadar g\u00fczel oldu\u011funu, tam bir Normandiya evi oldu\u011funu s\u00f6yledi. Babam nezaketen \u00f6yle dedi\u011fini sand\u0131. Bah\u00e7edeki su pompas\u0131na, Normandiya tarz\u0131 d\u0131\u015f cepheye, eski \u015feylerimize hayranl\u0131k duyanlar\u0131n, kendi sahip olduklar\u0131 o modern \u015feylere, mutfak muslu\u011fundan akan suya, bembeyaz bir binaya sahip olmam\u0131za mani olmak istediklerine emindi.\u201d Ernaux, babas\u0131n\u0131 anlatt\u0131\u011f\u0131 bu romanda, babas\u0131n\u0131n politik bir bak\u0131\u015fa sahip olmad\u0131\u011f\u0131n\u0131 da yer yer belirtiyor. Hatta i\u015f\u00e7ilik d\u00f6nemlerinde \u00fcstleri taraf\u0131ndan sevilen bir emek\u00e7i oldu\u011fundan bahsediyor. Fakat al\u0131nt\u0131dan da anlayabilece\u011fimiz \u00fczere Ernaux\u2019nun babas\u0131 asl\u0131nda \u00e7o\u011fu \u015feyin fark\u0131nda, \u00e7\u00fcnk\u00fc ya\u015fam\u0131n ger\u00e7ekli\u011fi bu\u2026Bizler de Mor Dayan\u0131\u015fma olarak yapt\u0131\u011f\u0131m\u0131z mahalle \u00e7al\u0131\u015fmalar\u0131nda kad\u0131nlardan benzer s\u00f6zleri defalarca duymu\u015fuzdur. <strong>\u201cBirileri\u201d<\/strong> derler, bir eli ya\u011fda bir eli balda <strong>\u201ckral gibi\u201d<\/strong> ya\u015farken <strong>\u201cbizler\u201d<\/strong> karn\u0131m\u0131z\u0131 doyurmak i\u00e7in s\u00fcr\u00fcn\u00fcyoruz.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00d6zetlemem gerekirse, yazdan bu yana \u00fczerinde derinlemesine ve payla\u015f\u0131ml\u0131 olarak konu\u015ftu\u011fumuz Ernaux ve eserleri, gerek kad\u0131nlar\u0131n deneyimleri gerek toplumsal haf\u0131za gerekse ya\u015fanan t\u00fcm toplumsal s\u00fcre\u00e7lerde asl\u0131nda toplumun \u00e7o\u011funlu\u011funu olu\u015fturan ve edebi eserlerde sadece bir fon olarak kullan\u0131lan i\u015f\u00e7ilerin ya\u015fam\u0131na tutulan g\u00fc\u00e7l\u00fc bir \u0131\u015f\u0131k ve bu \u0131\u015f\u0131\u011f\u0131n bizi ayd\u0131nlatmas\u0131yla <strong>\u201cbiz\u201d<\/strong>ler de k\u0131z karde\u015flerimizle beraber bizi karanl\u0131\u011fa s\u0131k\u0131\u015ft\u0131rmaya \u00e7al\u0131\u015ft\u0131klar\u0131 yerden birbirimize \u0131\u015f\u0131k olup yolumuzu ayd\u0131nlataca\u011f\u0131z. \u0130\u015f\u00e7i kad\u0131nlar, ev i\u00e7i eme\u011fi g\u00f6r\u00fcnmeyen kad\u0131nlar, \u015fiddete, her t\u00fcrl\u00fc s\u00f6m\u00fcr\u00fcye bile isteye maruz b\u0131rak\u0131lan kad\u0131nlar, bedeni hakk\u0131nda kendisi hari\u00e7 herkesin konu\u015ftu\u011fu kad\u0131nlar\u2026 Biz bu sistemin stepnesi, stres topu, s\u00f6m\u00fcr\u00fcleni olmay\u0131 reddediyoruz!&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ya\u015fas\u0131n kad\u0131n dayan\u0131\u015fmam\u0131z!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>&#8220;Nereden ba\u015flasam? Bombo\u015f bir sayfaya bakarak defalarca sordum bu soruyu kendime. Kitab\u0131 yazmaya giri\u015fmemi sa\u011flayacak ve t\u00fcm \u015f\u00fcpheleri tek bir hamlede al\u0131p g\u00f6t\u00fcrecek o c\u00fcmleyi, o tek bir c\u00fcmleyi \u2013bir nevi anahtar\u0131\u2013 bulmak zorundayd\u0131m sanki.\u201d Annie Ernaux, Nobel Konu\u015fmas\u0131, 2022 Her \u015fey, yazar arkada\u015f\u0131m \u015eeng\u00fcl Can\u2019\u0131n Annie Ernaux\u2019yu kad\u0131nlarla konu\u015fma iste\u011fiyle ba\u015flad\u0131. Asl\u0131nda okudu\u011fum bir&hellip;<\/p>","protected":false},"author":53,"featured_media":4732,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_eb_attr":"","inline_featured_image":false,"footnotes":""},"categories":[547,98],"tags":[554,555,248],"ppma_author":[612],"class_list":["post-4729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-degerlendirme","category-kultur-sanat","tag-annie-ernaux","tag-babamin-yeri","tag-kadin-yazini","author-gulsen-esen"],"authors":[{"term_id":612,"user_id":0,"is_guest":1,"slug":"gulsen-esen","display_name":"G\u00fcl\u015fen Esen","avatar_url":{"url":"https:\/\/www.mordayanisma.org\/wp-content\/uploads\/2025\/09\/Ekran-Resmi-2025-09-08-17.46.36.webp","url2x":"https:\/\/www.mordayanisma.org\/wp-content\/uploads\/2025\/09\/Ekran-Resmi-2025-09-08-17.46.36.webp"},"author_category":"1","first_name":"G\u00fcl\u015fen","last_name":"Esen","user_url":"","job_title":"","description":"gulsen@mordayanisma.org"}],"_links":{"self":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/4729","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/users\/53"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/comments?post=4729"}],"version-history":[{"count":1,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/4729\/revisions"}],"predecessor-version":[{"id":10502,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/4729\/revisions\/10502"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media\/4732"}],"wp:attachment":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media?parent=4729"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/categories?post=4729"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/tags?post=4729"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/ppma_author?post=4729"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}