\u00c2\u015f\u0131k Edebiyat\u0131 denildi\u011finde hemen hemen herkesin akl\u0131na \u00c2\u015f\u0131k Veyseller, \u00c2\u015f\u0131k Mahsuniler gelir. Bu gelenekte, edebiyat kitaplar\u0131nda kad\u0131nlar\u0131n isimleri dahi zikredilmez. Bunda erkek egemen tarih yaz\u0131c\u0131l\u0131\u011f\u0131n\u0131n yeri olsa da kad\u0131nlar\u0131n kamusal alanlarda yer alamamas\u0131n\u0131n rol\u00fc de olduk\u00e7a b\u00fcy\u00fckt\u00fcr. T\u00fcrk \u015eiirinin bir\u00e7ok alan\u0131nda oldu\u011fu gibi kad\u0131nlar \u015fiir yazan de\u011fil \u015fiir yaz\u0131lan olarak g\u00f6r\u00fclm\u00fc\u015f, \u00e2\u015f\u0131k de\u011fil ma\u015fuk (sevilen) olmu\u015f, o \u015fiir yazmam\u0131\u015f onun ka\u015f\u0131na, g\u00f6z\u00fcne, g\u00fczelli\u011fine \u015fiir yaz\u0131lm\u0131\u015ft\u0131r. Oysaki \u00e2\u015f\u0131k k\u00fclt\u00fcr\u00fcnde isimlerinden haberdar bile olmad\u0131\u011f\u0131m\u0131z Fatma Kamile, D\u00f6ne Sultan, Ezgili Kevser, G\u00fcll\u00fchan Han\u0131m, Derdimend Ana, \u00c2\u015f\u0131k Nur\u015fah Bac\u0131, Sar\u0131cak\u0131z gibi bir\u00e7ok kad\u0131n bu k\u00fclt\u00fcr\u00fc devam ettirmi\u015f ve ettirmektedir.<\/p>\n\n\n\n
Patriarkal Aile D\u00fczeni \u0130\u00e7inde Kad\u0131n \u00c2\u015f\u0131klar<\/strong><\/p>\n\n\n\n \u00c2\u015f\u0131kl\u0131k gelene\u011fi usta-\u00e7\u0131rak ili\u015fkisi ile k\u00f6y k\u00f6y, \u015fehir \u015fehir gezilerek kahvehanelerde, derneklerde icra edilip \u00f6\u011frenilen bir gelenek oldu\u011fu i\u00e7in, kad\u0131nlar kamusal alanda kendilerine yer bulamay\u0131p usta-\u00e7\u0131rak ili\u015fkisi yoluyla bu gelene\u011fi \u00f6\u011frenememi\u015flerdir. Kamusal alanda yer alamasalar da bu durum onlar\u0131 engellememi\u015f, kimi e\u015flerinden bu gelene\u011fi \u00f6\u011frenmeye \u00e7al\u0131\u015fm\u0131\u015f, kimi \u00e7evresindeki k\u00f6ylere giderek \u00e2\u015f\u0131klar\u0131 dinlemi\u015f, bu eserleri derleyip \u201custa mal\u0131\u201d olarak icra etmi\u015ftir. Patriarkal aile d\u00fczeni i\u00e7inde kad\u0131nlar kendilerine bi\u00e7ilen toplumsal cinsiyet rolleri ile birlikte d\u00f6rt duvar aras\u0131nda s\u0131k\u0131\u015f\u0131p kalsalar da yorulmadan \u201ckad\u0131nl\u0131k rolleri\u201d nden arta kalan zamanlar\u0131nda saz \u00f6\u011frenmi\u015flerdir.<\/p>\n\n\n\n \u015eiddet Sarmal\u0131nda Kad\u0131n \u00c2\u015f\u0131klar<\/strong><\/p>\n\n\n\n <\/strong> Kad\u0131nlar erkeklerin kendilerine dayatt\u0131\u011f\u0131 tahakk\u00fcmden dolay\u0131 saz \u00e7almak istediklerinde \u015fiddete maruz b\u0131rak\u0131ld\u0131lar. Yap\u0131lan g\u00f6r\u00fc\u015fmelerde \u00c7orumlu bir ozan\u0131m\u0131z e\u015finin ailesi ve e\u015fi i\u00e7in: \u201cBenlen futbol topu gibi oynad\u0131, ipi bo\u011faz\u0131ma tak\u0131p s\u00fcrd\u00fcler, \u00f6lmedim ama s\u00fcr\u00fcnd\u00fcm\u201d demi\u015ftir. [1] \u00c2\u015f\u0131k \u015eahsenem de e\u015fi taraf\u0131ndan saz\u0131 k\u0131r\u0131lan, \u015fiirleri yak\u0131lan bir \u00e2\u015f\u0131k kad\u0131n. Ya\u015fad\u0131\u011f\u0131 bu tahakk\u00fcm sonras\u0131 boyun e\u011fmeyip e\u015finden bo\u015fanan \u00c2\u015f\u0131k \u015eahsenem ya\u015fad\u0131\u011f\u0131 s\u0131k\u0131nt\u0131y\u0131 \u015f\u00f6yle anlat\u0131yor:<\/p>\n\n\n\n \u201cG\u00f6n\u00fclden G\u00f6n\u00fcle Gider Yol Gizli Gizli t\u00fcrk\u00fcs\u00fcn\u00fc dinlerken duyguland\u0131m, ona benzer Gel Gizli Gizli diye bir \u015fiir yazd\u0131m. E\u015fim \u2018Sen kimi \u00e7a\u011f\u0131r\u0131yorsun gizli gizli\u2019 diye dayak att\u0131. Sonra \u015fiirlerimi saklamaya ba\u015flad\u0131m. Bu kez de saklad\u0131\u011f\u0131na g\u00f6re bir i\u015f kar\u0131\u015ft\u0131r\u0131yorsun diye s\u00f6ylendi. Bir s\u00fcre b\u0131rakt\u0131m \u00e7al\u0131p \u00e7a\u011f\u0131rmay\u0131, sonra bo\u015fand\u0131m.\u201d [2]<\/p>\n\n\n\n Erkeklerin Alanlar\u0131n\u0131 \u201cZapt eden\u201d Kad\u0131nlar<\/strong><\/p>\n\n\n\n Peki, erkek hegemonyas\u0131ndan dolay\u0131 ya\u015fad\u0131klar\u0131 bask\u0131lara ra\u011fmen inatla gelene\u011fi s\u00fcrd\u00fcren kad\u0131nlar \u00e7a\u011fda\u015flar\u0131 erkekler taraf\u0131ndan nas\u0131l kar\u015f\u0131land\u0131? Tabii ki erkekler kendilerinin tuttuklar\u0131, hegemonyas\u0131n\u0131n h\u00e2kim oldu\u011fu bu alan\u0131 kad\u0131nlara b\u0131rakmak istemediler. \u00c2\u015f\u0131klar bu durumu g\u00f6r\u00fc\u015ft\u00fcklerinde erkek \u00e2\u015f\u0131klar\u0131n onlar\u0131 \u201c\u00f6c\u00fc gibi\u201d g\u00f6rd\u00fc\u011f\u00fcn\u00fc, k\u00fc\u00e7\u00fcmsedi\u011fini, \u201csen de kimsin ki benimle a\u015f\u0131k atacaks\u0131n?\u201d diyerek \u00fcstten bakt\u0131klar\u0131n\u0131, \u201csenin bize yeti\u015febilmen i\u00e7in daha ka\u00e7 f\u0131r\u0131n ekmek yemen laz\u0131m\u201d dediklerini, \u201ckocan nas\u0131l izin verdi de buralara kadar geldin, ay\u0131pt\u0131r, g\u00fcnaht\u0131r\u201d diyerek bask\u0131 yapt\u0131klar\u0131n\u0131, kar\u015f\u0131la\u015fmalarda \u201cBilmez misin senin yerin evindir\u201d gibi ayaklar a\u00e7t\u0131klar\u0131n\u0131 ya da uygunsuz s\u00f6zler s\u00f6yleyerek kad\u0131n \u00e2\u015f\u0131klar\u0131 dinleyiciler \u00f6n\u00fcnde zor durumda b\u0131rakt\u0131klar\u0131n\u0131 belirttiler. Asl\u0131 Bac\u0131 1996 y\u0131l\u0131nda \u00e2\u015f\u0131kl\u0131\u011fa ba\u015flad\u0131\u011f\u0131nda \u00e7ok zorluk \u00e7ekti\u011finden, erkek dinleyicilerin de\u011fil ama erkek \u00e2\u015f\u0131klar\u0131n onu hi\u00e7 hazmedemediklerinden, \u201cgit evinde bula\u015f\u0131k y\u0131ka, burada i\u015fin ne?\u201d diyerek dinleyicilerin \u00f6n\u00fcnde \u00e7al\u0131p s\u00f6ylemesini engellemeye \u00e7al\u0131\u015ft\u0131klar\u0131ndan \u015fik\u00e2yet etmi\u015ftir. [3]<\/p>\n\n\n\n \u00c2\u015f\u0131kl\u0131\u011f\u0131n aktar\u0131lmas\u0131, payla\u015f\u0131lmas\u0131 ve \u00e2\u015f\u0131k k\u00fclt\u00fcr\u00fcn\u00fcn en \u00f6nemli \u00f6\u011felerinden biri olan at\u0131\u015fmalar\u0131n ger\u00e7ekle\u015fmesi i\u00e7in kurulan bu ortamlardan birisi de \u201cer meydan\u0131\u201dd\u0131r ve kad\u0131nlar bu \u201cer meydan\u201dlar\u0131nda pek de kabul g\u00f6rmezler. \u201cEr meydan\u0131\u201d denilen \u00e2\u015f\u0131k \u015f\u00f6lenine ilk kat\u0131lan kad\u0131n Fatma Oflaz\u2019d\u0131r. G\u00fcl\u00e7\u0131nar Han\u0131m ise \u00e2\u015f\u0131kl\u0131k gelene\u011fini \u00f6\u011frenmek i\u00e7in bu etkinliklere izleyici olarak kat\u0131lm\u0131\u015ft\u0131r. Zamanla buradan \u00f6\u011frendiklerini saz\u0131na aktarmaya ba\u015flayan G\u00fcl\u00e7\u0131nar Han\u0131m, kendisiyle yap\u0131lan g\u00f6r\u00fc\u015fmede kad\u0131nlar\u0131n bu ortamlarda yer edinme m\u00fccadelesini anlat\u0131r. Erkek meclislerinde s\u00f6yledi\u011fi ilk zamanlar, bir\u00e7ok meslekta\u015f\u0131 taraf\u0131ndan yad\u0131rganan \u00c2\u015f\u0131k G\u00fcl\u00e7\u0131nar, at\u0131\u015fmalardaki ba\u015far\u0131l\u0131 icralar\u0131ndan sonra gelenek i\u00e7inde \u00f6zg\u00fcvenini kazand\u0131\u011f\u0131n\u0131 ve b\u00f6ylelikle erkek meslekta\u015flar\u0131n\u0131n bir\u00e7o\u011funa kendisini kabul ettirdi\u011fini belirtmi\u015ftir. [4] Erkeklerin at\u0131\u015fmalarda galip gelebilmek i\u00e7in \u201cevden \u00e7\u0131kmamas\u0131 gerekti\u011fi, erkek i\u015fine kar\u0131\u015fmamas\u0131 gerekti\u011fi, yerinin buras\u0131 olmad\u0131\u011f\u0131\u201d gibi s\u00f6ylemlerle a\u015fa\u011f\u0131lad\u0131klar\u0131 kad\u0131nlar da maruz kald\u0131klar\u0131 bu sert tutumdan dolay\u0131 daha sald\u0131rgan ve eril bir dil kullanmak zorunda kalm\u0131\u015flar. Bunun \u00f6rne\u011fini Sar\u0131cak\u0131z ile Emirhan\u2019\u0131n at\u0131\u015fmalar\u0131nda g\u00f6r\u00fcyoruz:<\/p>\n\n\n\n Emirhan:\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n Taze civciv iken u\u00e7maya \u00e7\u0131kt\u0131n <\/p>\n\n\n\n \u00c7\u0131kma k\u00fcmesinden h\/k\u0131\u015flar\u0131m seni <\/p>\n\n\n\n Sen tavuksun horoz olmaya kalkma\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n Keskin b\u0131\u00e7ak ile su\u00e7lar\u0131m seni\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n\n\n\n Sar\u0131cak\u0131z:<\/strong><\/p>\n\n\n\n Ben seni bilirim delisin deli<\/p>\n\n\n\n Delinin her zaman budur halleri<\/p>\n\n\n\n Vakitsiz \u00f6t\u00fc\u015fen horoz misali<\/p>\n\n\n\n Tutar bir kazanda ha\u015flar\u0131m seni [5]<\/p>\n\n\n\n Emirhan\u2019\u0131n \u201csen tavuksun\u201d diyerek bulundu\u011fu yeri kastedip k\u00fcmesinden \u00e7\u0131kmamas\u0131 gerekti\u011fi gibi nitelemelerden, kad\u0131na bi\u00e7ilen rol\u00fcn yans\u0131mas\u0131n\u0131n \u00f6rneklendi\u011fini, di\u011fer taraftan, kad\u0131n\u0131n verdi\u011fi cevaplardan, bu nitelemeleri kabullenmeyi\u015fini ve buna sert ifadeyle kar\u015f\u0131l\u0131k verdi\u011fini g\u00f6r\u00fcyoruz. Buna kar\u015f\u0131l\u0131k kad\u0131nlar\u0131n kendi aralar\u0131ndaki at\u0131\u015fmalarda bu sert ifadeleri g\u00f6rmemekteyiz.<\/p>\n\n\n\n 20. Y\u00fczy\u0131l\u0131n ikinci yar\u0131s\u0131ndan itibaren \u00e2\u015f\u0131kl\u0131k gelene\u011finin icra ortam\u0131 olan \u00e2\u015f\u0131k kahvelerindeki erkek egemenli\u011finden dolay\u0131 kendilerine yer bulamam\u0131\u015f olan kad\u0131nlar da ya\u015fad\u0131klar\u0131 y\u00f6relere g\u00f6re farkl\u0131 icra ortamlar\u0131 yaratm\u0131\u015flard\u0131r. \u00d6rne\u011fin \u00c2\u015f\u0131klar Bayramlar\u0131nda \u0130stanbul’daki kad\u0131n \u00e2\u015f\u0131klar okul geceleri etkinliklerinde, derneklerde, radyo TV programlar\u0131nda, d\u00fc\u011f\u00fcnlerde kendilerine yer a\u00e7ma gayretinde oldular. Bu kad\u0131nlar\u0131n b\u00fcy\u00fck \u00e7o\u011funlu\u011fu ayn\u0131 zamanda kaset \u00e7\u0131karma yoluna giderek sanatlar\u0131n\u0131 icra etmeye devam etmektedirler. [6]<\/p>\n\n\n\n G\u00fcn\u00fcm\u00fczdeki kad\u0131n \u00e2\u015f\u0131klar\u0131n \u015fiirlerindeki i\u00e7eriklere bakacak olursak daha \u00e7ok toplumsal olaylara korkusuzca yer verdiklerini, haks\u0131zl\u0131klar\u0131 sert bir dille ele\u015ftirdiklerini, olduk\u00e7a muhalif bir dilleri oldu\u011funu g\u00f6rmekteyiz. Hatta milyonlar\u0131n diline pelesenk olmu\u015f \u201cuyu deme, uyuyamam\/y\u00fcr\u00fc deme y\u00fcr\u00fcyemem\/sus deme susamam<\/em>\u201d t\u00fcrk\u00fcs\u00fc \u00c2\u015f\u0131k Sinem Bac\u0131 ya aittir. Eserlerinde e\u011flencenin de\u011fil protestonun oldu\u011funu vurgulayan \u015eahsenem; Sosyalizme yolculu\u011fum \/ Doldurmu\u015fum da\u011farc\u0131\u011f\u0131m \/ Be\u015fikte yatan \u00e7ocu\u011fum \/ A\u011flar devrim devrim diye<\/em>, der. Sar\u0131cak\u0131z ise; A\u00e7l\u0131k yokluk sefaletin derdini \/ \u00c7eken i\u015f\u00e7i yiyen patron de\u011fil mi? \/ Yumurtaya ete kayma\u011fa bala \/ Bakan i\u015f\u00e7i yiyen patron de\u011fil mi?,<\/em> diye sorar ve duru\u015funu belli eder.<\/p>\n\n\n\n Kad\u0131n \u00e2\u015f\u0131klar t\u00fcm bask\u0131lara ra\u011fmen \u015fiirlerinde topluma ayna tutmu\u015f, erkek hegemonyas\u0131n\u0131 sert bir dille ele\u015ftirmi\u015f, haks\u0131zl\u0131\u011fa boyun e\u011fmemi\u015f ve t\u00fcm direngenlikleriyle s\u00f6zlerini s\u00f6ylemi\u015flerdir. Kad\u0131n \u00e2\u015f\u0131klar ile ilgili g\u00fcn\u00fcm\u00fczde yap\u0131lan ara\u015ft\u0131rmalar ile Dadalo\u011fullar\u0131, K\u00f6ro\u011fullar\u0131 d\u00f6neminde ya\u015fam\u0131\u015f Fatma Kamile, \u015eerife Soykan, Ay\u015fe Berk, D\u00f6ne Sultan gibi bir\u00e7ok \u00e2\u015f\u0131k kad\u0131n g\u00fcn y\u00fcz\u00fcne \u00e7\u0131km\u0131\u015ft\u0131r. G\u00fcn\u00fcm\u00fczde bu gelene\u011fi devam ettiren kad\u0131nlarla \u201cKad\u0131n \u00c2\u015f\u0131klar\u201d alb\u00fcm\u00fc yay\u0131nlanm\u0131\u015ft\u0131r.<\/p>\n\n\n\n B\u00fct\u00fcn bask\u0131lara ra\u011fmen t\u00fcm cesaretiyle \u00e2\u015f\u0131kl\u0131k gelene\u011fine kad\u0131n\u0131n ad\u0131n\u0131 kaz\u0131yan, \u201cer meydan\u0131\u2019nda boy g\u00f6steren kad\u0131nlar\u0131 daha fazla g\u00fcn y\u00fcz\u00fcne \u00e7\u0131karmak, seslerini duyurmak da biz kad\u0131nlara d\u00fc\u015fen en b\u00fcy\u00fck g\u00f6revdir.<\/p>\n\n\n\n Dipnotlar ve Kaynak\u00e7a:<\/p>\n\n\n\n [1]Y\u0131ld\u0131ray Erdener: Ataerkil Toplum ve Kad\u0131n \u00c2\u015f\u0131klar<\/p>\n\n\n\n [2] \u201cO k\u0131nal\u0131 parmaklar da saz \u00e7al\u0131yorlar\u201d, Haber7 http:\/\/www.tumgazeteler.com [3] Y\u0131ld\u0131ray Erdener: Ataerkil Toplum ve Kad\u0131n \u00c2\u015f\u0131klar<\/p>\n\n\n\n [4]Ceren G\u00fclbudak:\u201cK\u0131r\u0131k Sazlar, Kad\u0131n \u00c2\u015f\u0131klar\u201d<\/p>\n\n\n\n [5] Sevilay \u00c7\u0131nar, Song\u00fcl Karahasano\u011flu, S\u00fcleyman \u015eenel \u201cKad\u0131n \u00c2\u015f\u0131klar\u0131n \u00c2\u015f\u0131k Sanat\u0131 \u0130\u00e7erisinde Toplumsal Rolleriyle Konumlanma Problemleri\u201d, it\u00fc dergisi s. 51.<\/p>\n\n\n\n [6] Sevilay \u00c7\u0131nar: \u201cYirminci Y\u00fczy\u0131l\u0131n \u0130kinci Yar\u0131s\u0131nda T\u00fcrkiye’de Kad\u0131n \u00c2\u015f\u0131klar\u201d s.69<\/p>\n\n\n\n [7] Sevilay \u00c7\u0131nar: \u201cYirminci Y\u00fczy\u0131l\u0131n \u0130kinci Yar\u0131s\u0131nda T\u00fcrkiye’de Kad\u0131n \u00c2\u015f\u0131klar\u201d s.105<\/p>\n\n\n\n Erdener, Y\u0131ld\u0131ray: Ataerkil Toplum ve Kad\u0131n Ozanlar<\/p>\n\n\n\n G\u00fclbudak, Ceren: K\u0131r\u0131k Sazlar, Kad\u0131n \u00c2\u015f\u0131klar<\/p>\n\n\n\n \u00c7\u0131nar, Sevilay ve Karahasano\u011flu, Song\u00fcl ve \u015eenel, S\u00fcleyman. \u201cKad\u0131n \u00c2\u015f\u0131klar\u0131n \u00c2\u015f\u0131k Sanat\u0131 \u0130\u00e7erisinde Toplumsal Rolleriyle Konumlanma Problemleri\u201d<\/p>\n\n\n\n \u00c7\u0131nar, Sevilay: Yirminci Y\u00fczy\u0131l\u0131n \u0130kinci Yar\u0131s\u0131nda T\u00fcrkiye’de Kad\u0131n \u00c2\u015f\u0131klar<\/p>\n","protected":false},"excerpt":{"rendered":" \u00c2\u015f\u0131k Edebiyat\u0131 denildi\u011finde hemen hemen herkesin akl\u0131na \u00c2\u015f\u0131k Veyseller, \u00c2\u015f\u0131k Mahsuniler gelir. Bu gelenekte, edebiyat kitaplar\u0131nda kad\u0131nlar\u0131n isimleri dahi zikredilmez. Bunda erkek egemen tarih yaz\u0131c\u0131l\u0131\u011f\u0131n\u0131n yeri olsa da kad\u0131nlar\u0131n kamusal alanlarda yer alamamas\u0131n\u0131n rol\u00fc de olduk\u00e7a b\u00fcy\u00fckt\u00fcr. T\u00fcrk \u015eiirinin bir\u00e7ok alan\u0131nda oldu\u011fu gibi kad\u0131nlar \u015fiir yazan de\u011fil \u015fiir yaz\u0131lan olarak g\u00f6r\u00fclm\u00fc\u015f, \u00e2\u015f\u0131k de\u011fil ma\u015fuk (sevilen)…<\/p>","protected":false},"author":66,"featured_media":3228,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_eb_attr":"","inline_featured_image":false,"footnotes":""},"categories":[98],"tags":[241,240,242],"ppma_author":[588],"class_list":["post-3227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-asik-edebiyati","tag-asik","tag-kadin-asiklar","author-aysen"],"authors":[{"term_id":588,"user_id":21,"is_guest":0,"slug":null,"display_name":"Ay\u015fen Korkmaz","avatar_url":"https:\/\/www.mordayanisma.org\/wp-content\/litespeed\/avatar\/a3b06dd8095f7633c2c37bfa7e17a35e.jpg?ver=1784370317","author_category":"","first_name":"Ay\u015fen","last_name":"Korkmaz","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/3227","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/comments?post=3227"}],"version-history":[{"count":0,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/3227\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media\/3228"}],"wp:attachment":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media?parent=3227"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/categories?post=3227"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/tags?post=3227"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/ppma_author?post=3227"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\/?a=1419584, 2010 Ocak 15 tarihinde eri\u015filmi\u015ftir.<\/p>\n\n\n\n