{"id":2473,"date":"2020-05-12T18:14:39","date_gmt":"2020-05-12T15:14:39","guid":{"rendered":"http:\/\/mordayanisma.org\/?p=2473"},"modified":"2020-05-22T00:19:43","modified_gmt":"2020-05-21T21:19:43","slug":"rutinin-cokusu-jeanne-dielman","status":"publish","type":"post","link":"https:\/\/www.mordayanisma.org\/en\/2020\/05\/12\/rutinin-cokusu-jeanne-dielman\/","title":{"rendered":"Rutinin \u00c7\u00f6k\u00fc\u015f\u00fc: Jeanne Dielman"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Chantal Akerman, Br\u00fcksel\u2019de do\u011fmu\u015f kendini \u201cBr\u00fcksel\u2019de do\u011fmu\u015f Yahudi k\u0131z\u201d olarak tan\u0131mlayan, ailesinin b\u00fcy\u00fck k\u0131sm\u0131n\u0131 Auschwitz Toplama Kamp\u0131\u2019nda kaybetmi\u015f, feminist ve avan-gard sineman\u0131n \u00f6nc\u00fclerinden kad\u0131n y\u00f6netmen ve oyuncudur. Erken \u00f6l\u00fcm\u00fcne ra\u011fmen neredeyse k\u0131rk filme imza atm\u0131\u015f. Filmleri, ge\u00e7en onca y\u0131la ra\u011fmen hala daha seyircisini beklenmedik tarz\u0131 ve cesaretli yap\u0131m\u0131 ile \u015fa\u015f\u0131rt\u0131yor.<br>Chantal Akerman\u2019\u0131n \u00e7ekmi\u015f oldu\u011fu filmler g\u00f6sterime girer girmez feminist ba\u015fyap\u0131tlar olarak an\u0131lmaya ba\u015flam\u0131\u015ft\u0131r. Fakat hala erkek y\u00f6netmenlerden ve onlar\u0131n filmlerinden daha az biliniyor.<br>Chantal Akerman\u2019\u0131n filmlerindeki mekanlara bakt\u0131\u011f\u0131m\u0131zda genellikle evleri ve evlerin i\u00e7erisinde ge\u00e7en ya\u015fam\u0131 g\u00f6r\u00fcyoruz. Akerman, filmlerinde \u201c\u00f6zel alan politiktir\u201d vurgusunu s\u00fcrekli \u00f6ne \u00e7\u0131kar\u0131yor.<br><br><strong>Jeanne Diealman\u2019\u0131n can s\u0131k\u0131nt\u0131s\u0131<\/strong><strong><br><\/strong><br>Hen\u00fcz 25 ya\u015f\u0131nda yazd\u0131\u011f\u0131 ve y\u00f6netti\u011fi, feminist sineman\u0131n \u201cba\u015fyap\u0131t\u0131\u2019 olarak ilan edilen, 201 dakikal\u0131k uzun metraj filmi Jeanne Dielman, 23 Commerce Quay, 1080 Brussels\u2019de, 1970\u2019lerde Bel\u00e7ika\u2019da ya\u015fayan orta s\u0131n\u0131f bir \u201cev kad\u0131n\u0131n\u201d aral\u0131ks\u0131z \u00fc\u00e7 g\u00fcn\u00fcn\u00fc an be an anlat\u0131yor. Filmin \u00e7ekildi\u011fi 1975 tarihlerinde Bel\u00e7ika\u2019da i\u015f\u00e7i ve i\u015fveren temsilcilerinden olu\u015fan \u201cUlusal \u00c7al\u0131\u015fma Konseyi\u201d ilk kez Bel\u00e7ika\u2019da \u201ce\u015fit i\u015fe e\u015fit \u00fccret\u201d \u00fczerine toplu s\u00f6zle\u015fme imzal\u0131yordu. &nbsp;.<br><br><strong>S\u0131n\u0131rlar\u0131m\u0131z ve ba\u011f\u0131ms\u0131zl\u0131\u011f\u0131m\u0131z<\/strong><br><br>Akerman Jeanne Dielman filmiyle, bir kad\u0131n\u0131n ya\u015fam\u0131n\u0131n g\u00fcndelik ak\u0131\u015f\u0131n\u0131 ve alt\u0131nda yatan k\u0131r\u0131lganl\u0131\u011f\u0131n\u0131 ortaya koymaktad\u0131r ayn\u0131 zamanda. Asl\u0131nda Jeanne\u2019nin ya\u015fad\u0131\u011f\u0131 kritik \u00fc\u00e7 g\u00fcn\u00fcn\u00fcn sonunda bir nevi patlama e\u015fi\u011fi olan o an, hepimize tan\u0131d\u0131k gelse gerek. Toplumsal rollere ba\u015f kald\u0131r\u0131\u015fla birlikte evi konumland\u0131ran yap\u0131ya, yani erkek egemen sisteme kar\u015f\u0131 \u00e7\u0131kman\u0131n bu rolleri yeniden bi\u00e7imlendirmek \u00fczerinde olduk\u00e7a b\u00fcy\u00fck etkisi var.<br>Toplumsal cinsiyet rollerinin kad\u0131nlar\u0131n hayat\u0131n\u0131n her an\u0131n\u0131 etkileyip \u015fekillendirmesine inat kad\u0131nlar\u0131n i\u00e7inde mayalanan ba\u011f\u0131ms\u0131zl\u0131k \u00f6zlemini g\u00f6r\u00fcyoruz. S\u00fcre\u00e7 i\u00e7erisinde kad\u0131nlar\u0131n \u00e7evresine \u00f6r\u00fclen duvarlar\u0131n bir bir y\u0131k\u0131l\u0131\u015f\u0131yla yeni bir hayat\u0131n perdelerini aralamas\u0131n\u0131n hikayesi asl\u0131nda bu film. Bizim i\u00e7imizden, hayat\u0131m\u0131zdan bir kesit bir \u00e7\u0131k\u0131\u015f \u00f6rne\u011fi.&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>Chantal Akerman, Br\u00fcksel\u2019de do\u011fmu\u015f kendini \u201cBr\u00fcksel\u2019de do\u011fmu\u015f Yahudi k\u0131z\u201d olarak tan\u0131mlayan, ailesinin b\u00fcy\u00fck k\u0131sm\u0131n\u0131 Auschwitz Toplama Kamp\u0131\u2019nda kaybetmi\u015f, feminist ve avan-gard sineman\u0131n \u00f6nc\u00fclerinden kad\u0131n y\u00f6netmen ve oyuncudur. Erken \u00f6l\u00fcm\u00fcne ra\u011fmen neredeyse k\u0131rk filme imza atm\u0131\u015f. Filmleri, ge\u00e7en onca y\u0131la ra\u011fmen hala daha seyircisini beklenmedik tarz\u0131 ve cesaretli yap\u0131m\u0131 ile \u015fa\u015f\u0131rt\u0131yor.Chantal Akerman\u2019\u0131n \u00e7ekmi\u015f oldu\u011fu filmler g\u00f6sterime&hellip;<\/p>","protected":false},"author":66,"featured_media":3107,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_eb_attr":"","inline_featured_image":false,"footnotes":""},"categories":[99],"tags":[],"ppma_author":[582],"class_list":["post-2473","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ezber-bozan-kadinlar","author-gamze-ozkok"],"authors":[{"term_id":582,"user_id":16,"is_guest":0,"slug":null,"display_name":"Gamze \u00d6zk\u00f6k","avatar_url":"https:\/\/www.mordayanisma.org\/wp-content\/litespeed\/avatar\/457c95407a5db18d783e309908133e02.jpg?ver=1784369366","author_category":"","first_name":"Gamze","last_name":"\u00d6zk\u00f6k","user_url":"","job_title":"","description":"gamzeozkok@mordayanisma.org"}],"_links":{"self":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/2473","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/users\/66"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/comments?post=2473"}],"version-history":[{"count":0,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/2473\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media\/3107"}],"wp:attachment":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media?parent=2473"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/categories?post=2473"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/tags?post=2473"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/ppma_author?post=2473"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}