{"id":10503,"date":"2026-01-14T10:12:00","date_gmt":"2026-01-14T07:12:00","guid":{"rendered":"https:\/\/www.mordayanisma.org\/?p=10503"},"modified":"2026-02-18T22:02:35","modified_gmt":"2026-02-18T19:02:35","slug":"dolasik-seslerin-feminist-hikayesi","status":"publish","type":"post","link":"https:\/\/www.mordayanisma.org\/en\/2026\/01\/14\/dolasik-seslerin-feminist-hikayesi\/","title":{"rendered":"Dola\u015f\u0131k Seslerin Feminist Hik\u00e2yesi"},"content":{"rendered":"<figure class=\"wp-block-audio\"><audio controls src=\"https:\/\/www.mordayanisma.org\/wp-content\/uploads\/2026\/01\/Dolasik-Sesler.mp3\"><\/audio><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Mor Dayan\u0131\u015fma \u0130zmir il \u00e7al\u0131\u015fmalar\u0131 kapsam\u0131nda Asuman Susam\u2019\u0131n yay\u0131na haz\u0131rlad\u0131\u011f\u0131, ayn\u0131 zamanda \u015fiiriyle yer ald\u0131\u011f\u0131 Oraya Kendimi Koydum kitab\u0131 vesilesiyle Mor Masa\u2019da beraberiz. Kad\u0131nlar\u0131n hik\u00e2yeleri, sesleri, eril kanondan kad\u0131nlar\u0131n yazarak \u00f6zg\u00fcrle\u015fmesine dek geni\u015f bir yelpazede edebiyat\u0131 merkezimize alarak konu\u015ftuk. Bu yaz\u0131y\u0131 da ses kayd\u0131ndan, notlar\u0131m\u0131zdan s\u00fczerek kolektif bir \u015fekilde kaleme ald\u0131k.<\/em><\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Karanfil elden ele<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Asuman\u2019\u0131n hayat\u0131nda en \u00e7ok gurur duydu\u011fu i\u015flerden bir tanesi <em>Oraya Kendimi Koydum<\/em>. \u015eiirlerin, daha do\u011frusu edebiyat\u0131n, bireysel yaln\u0131zl\u0131k isteyen i\u015fler oldu\u011fu ger\u00e7e\u011fini bilerek kolektif eme\u011fe \u00e7ok inand\u0131\u011f\u0131n\u0131 ve bu i\u015flerde olmay\u0131 \u00e7ok arzulad\u0131\u011f\u0131n\u0131 payla\u015farak s\u00f6yle\u015fimiz ba\u015fl\u0131yor. Asl\u0131nda b\u00f6yle bir inanc\u0131n prati\u011fiyle beraberiz zaten. \u0130yi ki bu arzu var.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eser, on bir \u015fair kad\u0131n\u0131n kolektif eme\u011fi ile bezenmi\u015f bir eser. Asuman\u2019\u0131n s\u00f6yle\u015fide alt\u0131n\u0131 g\u00fczel bir \u015fekilde kad\u0131nlar\u0131n eserleri ve u\u011fra\u015flar\u0131yla \u00e7izdi\u011fi \u015fairler: Anita Sezgener, Asuman Susam, Ece Eldek, \u0130rem Az, Mihrap Ayd\u0131n, Miray \u00c7ak\u0131ro\u011flu, Monica Papi, Nur Alan, Petek Sinem Dulun, Selcan Peksan, Sevin\u00e7 \u00c7alhano\u011flu.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Erkek dilinin ve bak\u0131\u015f\u0131n\u0131n hakim oldu\u011fu sanat d\u00fcnyas\u0131, kad\u0131n\u0131n varl\u0131\u011f\u0131n\u0131n tarihsel bir \u015fekilde silikle\u015ftirildi\u011fi, g\u00f6r\u00fcnmezle\u015ftirildi\u011fi, varl\u0131\u011f\u0131n\u0131n yaln\u0131zca nesneye indirgendi\u011fi bir alan. Bu alan i\u00e7erisinde bahsetti\u011fimiz on bir \u015fair kad\u0131n\u0131n bu d\u00fcnyay\u0131 ters y\u00fcz etme \u00e7abas\u0131na tan\u0131k oluyoruz. Kad\u0131nlar kenara \u00e7ekilmiyor, seyretmiyor, birbirinin hikayesine ortak oluyor, birbirinin tarihini tutup birbirinin \u015fiirini yaz\u0131yor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Bu \u00fcretim s\u00fcrecindeki kad\u0131nlar, ayn\u0131 zamanda arkalar\u0131nda sanat\u0131n pek \u00e7ok farkl\u0131 t\u00fcr\u00fcnde \u00e7e\u015fitli eserler biriktirdi. <em>Oraya Kendimi Koydum<\/em> i\u00e7in yan yana gelen kad\u0131nlar yolda birbirine \u00f6\u011fretti, birbirlerinin sesini duydu ve birbirlerini d\u00fc\u015ft\u00fckleri yerden kald\u0131rd\u0131, birbirlerine yeni patikalar a\u00e7t\u0131. Yani \u015fairler, feminist bir y\u00f6ntemle yan yana geldiler. T\u00fcrk\u00e7ede t\u00fcrsel olarak ilk kolektif \u00fcretim yan\u0131nda b\u00f6yle bir \u00f6zelli\u011finin de olmas\u0131, feminist dayan\u0131\u015fma icras\u0131 a\u00e7\u0131s\u0131ndan ayr\u0131ca bir de\u011fere sahip.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kitab\u0131n \u00e7\u0131k\u0131\u015f hikayesi on bir kad\u0131n\u0131n yan yana gelmesinden \u00f6nceye, Bizim Hikayemiz Platformu\u2019na dayan\u0131yor. KHK ile ihra\u00e7 edilmi\u015f bir grup kad\u0131n akademisyenin ortak \u00e7al\u0131\u015fmas\u0131. Platform, \u201cBizim hik\u00e2yemiz, kad\u0131nlar\u0131n ge\u00e7mi\u015fini ve bug\u00fcn\u00fcn\u00fc yazmayan Tarihe; kad\u0131nlar\u0131n deneyimlerinin kayd\u0131n\u0131 tutmayan Ar\u015five; kad\u0131nlar\u0131n m\u00fccadelesini haberle\u015ftirmeyen Gazetecili\u011fe; ara\u015ft\u0131rmas\u0131n\u0131 cebine koyup kamuya (kar\u015f\u0131l\u0131ks\u0131z) a\u00e7mayan Sosyal Bilimlere bir \u00e7elme ve bir ayar olsun istiyoruz. Kad\u0131nlar\u0131n sesine, s\u00f6z\u00fcne, m\u00fccadelesine ve kolektif belle\u011fine bir katk\u0131 olsun istiyoruz.\u201d<sup data-fn=\"a7f66e67-1012-4b74-b853-0528a50c2a06\" class=\"fn\"><a id=\"a7f66e67-1012-4b74-b853-0528a50c2a06-link\" href=\"#a7f66e67-1012-4b74-b853-0528a50c2a06\">1<\/a><\/sup> diyerek bir a\u00e7\u0131k havuz in\u015fa etme niyetiyle yan yana gelmi\u015f. Be\u015f farkl\u0131 \u015fehirde, farkl\u0131 ya\u015f gruplar\u0131ndan, farkl\u0131 e\u011fitim d\u00fczeyi ve u\u011fra\u015f alanlar\u0131 olan kad\u0131nlarla s\u00f6zl\u00fc bir tarih \u00e7al\u0131\u015fmas\u0131 yap\u0131lm\u0131\u015f. Kad\u0131nlar\u0131n hikayeleri hem sesli hem de yaz\u0131l\u0131 olarak bir akademik projenin i\u00e7inde yer alm\u0131\u015f.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Madunun sesi&nbsp;<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Bizim Hik\u00e2yemiz\u2019den anlat\u0131lan hayat hik\u00e2yelerinin daha g\u00f6r\u00fcn\u00fcr, daha anla\u015f\u0131l\u0131r olmas\u0131 iste\u011fi akademisyenlerin Asuman\u2019a uzanmas\u0131n\u0131 sa\u011flam\u0131\u015f. \u201c\u015eiir burada ne yapabilir?\u201d sorusu etraf\u0131na serpilen \u201cbelle\u011fe nas\u0131l yakla\u015fmak, hakikatle nas\u0131l y\u00fczle\u015fmek, kim konu\u015fuyor, biz nas\u0131l duyuyoruz\u201d sorular\u0131yla hik\u00e2yeler \u015fiirin patikas\u0131na yava\u015f yava\u015f girmi\u015f. \u201cHayatlara ihtimam, ger\u00e7e\u011fe sadakat\u201d bu \u00e7al\u0131\u015fman\u0131n \u00e7ekirde\u011fi. \u015e\u00f6yle a\u00e7\u0131kl\u0131yor Asuman \u201cTan\u0131kl\u0131\u011f\u0131 bir ses alan\u0131na, bir duyum alan\u0131na ta\u015f\u0131ma meselesi, ger\u00e7e\u011fe sadakati gerektiren bir \u015feydir. Bu kitap da konu\u015fanlar ad\u0131na de\u011fil, do\u011frudan konu\u015fanlar\u0131n sesleriyle olu\u015ftu.\u201d&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Spivak, \u201cMadun konu\u015fabilir mi?\u201d<sup data-fn=\"983a2469-d40e-4a7d-8d4b-9ce870d9a71f\" class=\"fn\"><a id=\"983a2469-d40e-4a7d-8d4b-9ce870d9a71f-link\" href=\"#983a2469-d40e-4a7d-8d4b-9ce870d9a71f\">2<\/a><\/sup> sorusuyla akademik \u00e7al\u0131\u015fmalarda ve s\u00f6m\u00fcrgeci sistem i\u00e7erisinde madunun sesinin k\u0131s\u0131ld\u0131\u011f\u0131n\u0131 s\u00f6yler. Madunlar\u0131n kendilerini temsil edememeleri, konu\u015fma haklar\u0131n\u0131n ellerinden al\u0131nmas\u0131 da edebiyat\u0131n di\u011fer \u00f6nemli ve yak\u0131c\u0131 sorunlar\u0131 olarak beliriyor. Asuman da benzer kayg\u0131larla ba\u015flang\u0131\u00e7ta hikayeleri \u015fiire d\u00f6n\u00fc\u015ft\u00fcrmenin uygun olmad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcrken kad\u0131nlar\u0131n ses kay\u0131tlar\u0131 her \u015feyi de\u011fi\u015ftirmi\u015f. G\u00fcl\u00fc\u015fmeler, kahkahalar, a\u011flamalar, i\u00e7 \u00e7ekmeler, derin sessizlikler bu \u201ctarihi belgeler\u201dde yeni ve\u00e7heler a\u00e7m\u0131\u015f. \u201cBu sesler, \u015fairin kendini merkeze koydu\u011fu, di\u011ferleri ad\u0131na konu\u015ftu\u011fu lirik \u015fiirlerle anlat\u0131lamazd\u0131.\u201d diyor Asuman. Duyguyu kopyala yap\u0131\u015ft\u0131r yapmak uygun gelmezken Spivak\u2019\u0131n uyar\u0131s\u0131n\u0131 hat\u0131rlam\u0131\u015f. Madunun sesini, hik\u00e2yenin ger\u00e7ek sahibinin sesini \u015fiirlerin i\u00e7inde duyurmak gerekti\u011fini hissetmi\u015f. Ger\u00e7e\u011fe sadakati, sanat\u0131n yorumuyla birle\u015ftirmek bu \u00e7al\u0131\u015fman\u0131n ana damar\u0131 olmu\u015f.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u015eiirini yazacaklar\u0131 hik\u00e2yeyi se\u00e7mek, nereye kadar ve hangi konumdan bu hik\u00e2yeleri yorumlamak gibi Asuman\u2019\u0131n \u201ckar\u0131n a\u011fr\u0131s\u0131\u201d olarak tarif etti\u011fi bir s\u00fcr\u00fc \u00e7etrefilli durum \u00e7\u0131km\u0131\u015f kar\u015f\u0131lar\u0131na. Tabii, se\u00e7imler kendi do\u011fall\u0131\u011f\u0131yla yolunu bulmu\u015f. \u015eairler genellikle kendilerinden bir par\u00e7a bulduklar\u0131 hik\u00e2yelere y\u00f6nelmi\u015fler. Belki o an de\u011fil de sonradan fark etmi\u015fler ama kendilerinden bir par\u00e7a bulduklar\u0131 hik\u00e2yelerle bulu\u015fmu\u015flar. Se\u00e7tikleri ya\u015fam \u00f6yk\u00fclerine kendi seslerini dolam\u0131\u015flar.&nbsp;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Belgesel \u015fiir<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Belgesel \u015fiir, d\u00fcnyada da \u00f6rnekleri \u00e7ok yayg\u0131n olmayan, ilk \u00f6rneklerini 1930\u2019lar\u0131n sonu gibi g\u00f6rmeye ba\u015flad\u0131\u011f\u0131m\u0131z bir t\u00fcr. 90\u2019lardan bu yana kad\u0131n \u00e7al\u0131\u015fmalar\u0131yla beraber \u00f6rneklerinde belirgin bir art\u0131\u015f s\u00f6z konusu.<sup data-fn=\"535ed016-18a3-4f0a-85cd-e401e087af66\" class=\"fn\"><a id=\"535ed016-18a3-4f0a-85cd-e401e087af66-link\" href=\"#535ed016-18a3-4f0a-85cd-e401e087af66\">3<\/a><\/sup> Buna bakarak belgesel \u015fiirin; bir direni\u015fi, ba\u015fkald\u0131r\u0131y\u0131, kabul etmeyi\u015fi kendine temel ald\u0131\u011f\u0131n\u0131; biraz toplumcu, biraz feminist kodlarla ortaya \u00e7\u0131kt\u0131\u011f\u0131n\u0131 s\u00f6yleyebiliriz. Bizdeki \u00f6nemli \u00f6rneklerinden biri Soma\u2019daki maden facias\u0131ndan sonra b\u00f6lgeye gidip \u00e7al\u0131\u015fma yapan \u0130rem Az\u2019\u0131n etnografik-belgesel t\u00fcr\u00fcndeki \u201cSade Ya\u015fad\u0131\u011f\u0131m\u0131z\u201d kitab\u0131.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">S\u00fcre\u00e7 d\u00fc\u015fe kalka, s\u0131k\u0131la bunala ama her daim sorumlulukla ve heyecanla yava\u015f yava\u015f geli\u015fmi\u015f. Kaligrafinin olanaklar\u0131, tekrarlar, montaj teknikleriyle \u015fairler de kendi sesini katm\u0131\u015f \u015fiirlere. \u015eiirlerin t\u00fcm bu denemeye a\u00e7\u0131k hali, avangardl\u0131\u011f\u0131 i\u00e7in \u015f\u00f6yle s\u00f6yl\u00fcyor Asuman \u201cB\u00fct\u00fcn bu unsurlarla asl\u0131nda metnin kendisi, sayfan\u0131n kendisini de bir sanat nesnesine d\u00f6n\u00fc\u015ft\u00fcrerek okuman\u0131n anlamlar\u0131n\u0131 \u00e7o\u011faltan bir \u015fey h\u00e2line geldi. Bunlar bizim ara\u00e7lar\u0131m\u0131z oldu.\u201d ve ekliyor: \u201cBiz yazmad\u0131k, biz yapt\u0131k sadece bu \u015fiirleri.\u201d<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Feminist sesler<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">Pencerelerinin \u00f6n\u00fcnden, cezaevlerinden, fabrikalar\u0131n i\u00e7inden, akademiden, mahalleden, grevden, masa ba\u015f\u0131ndan\u2026 Yazan kad\u0131nlar\u0131n sesi, hem kendi sesini buluyor hem de di\u011ferlerine g\u00fc\u00e7 veriyor. Mor Dayan\u0131\u015fma olarak <a href=\"https:\/\/www.mordayanisma.org\/en\/dosya\/sen-anlat\/\">#TellYourStory<\/a> etiketiyle kad\u0131nlar\u0131n hik\u00e2yelerini kendi seslerinden duydu\u011fumuz \u00e7al\u0131\u015fmam\u0131z\u0131 burada hat\u0131rlatmak yerinde olacakt\u0131r.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kendi sesini, direni\u015fini yaratmas\u0131 bak\u0131m\u0131ndan projecili\u011fi a\u015fan <em>Oraya Kendimi Koydum<\/em> kitab\u0131n\u0131n feminist yaz\u0131n i\u00e7indeki yerini \u015f\u00f6yle anlat\u0131yor Asuman: \u201cFeminist yaz\u0131n\u0131n asl\u0131nda nas\u0131l dolan\u0131k, nas\u0131l birbirine sa\u00e7aklanarak ba\u011flanan ve birbirinin sesini, birbirinin varl\u0131\u011f\u0131n\u0131, varolu\u015f alanlar\u0131n\u0131 \u00e7o\u011faltan, geni\u015fleten hikayelere d\u00f6n\u00fc\u015ft\u00fc\u011f\u00fcn\u00fc anlatmas\u0131 a\u00e7\u0131s\u0131ndan bizim i\u00e7in \u00e7ok \u00f6nemli ve de\u011ferli.\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u0130\u015fte b\u00f6yle sesler, \u00e7al\u0131\u015fmalar dola\u015f\u0131kl\u0131kl\u0131\u011f\u0131n\u0131n son formu <em>Oraya Kendimi Koydum<\/em>. Feminist k\u0131zkarde\u015fli\u011fin bize en \u00e7ok \u00f6\u011fretti\u011fi \u015feylerden biri belki de bu oldu: Kendimizi \u201coraya\u201d koyup oradakinden buradakine bir k\u00f6pr\u00fc kurmak. Ve buradakinden bir ba\u015fkas\u0131n\u0131nkine, ondan da ba\u015fkas\u0131na\u2026 Kendi deseninde, kendi ritminde \u00e7o\u011falan ve b\u00fcy\u00fcyen kad\u0131n seslerinin kurtulu\u015f m\u00fccadelemizin belle\u011finde yank\u0131lanaca\u011f\u0131n\u0131 biliyoruz. Yolumuzu ayd\u0131nlatan da birbirine de\u011fen bu seslerin verdi\u011fi kolektif g\u00fc\u00e7t\u00fcr.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>Son s\u00f6z yerine:&nbsp;<\/strong><\/h4>\n\n\n\n<p class=\"wp-block-paragraph\">\u201cba\u011f\u0131r\u0131n beyler ba\u011f\u0131r\u0131n baba yadigar\u0131 \u00e7\u0131\u011fl\u0131klar\u0131n\u0131z\u0131\u201d<sup data-fn=\"be4f5cb6-40fd-4205-baa7-17702d021442\" class=\"fn\"><a id=\"be4f5cb6-40fd-4205-baa7-17702d021442-link\" href=\"#be4f5cb6-40fd-4205-baa7-17702d021442\">4<\/a><\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eril kanonun i\u00e7inden \u00e7\u0131k\u0131p sesini \u00f6nce kendine sonra da herkese duyurmaya \u00e7al\u0131\u015fanlar\u0131n sesine ses olmak bizim de sorumlulu\u011fumuz. Bu ama\u00e7la s\u00f6yle\u015fide bahsi ge\u00e7en fanzinleri, kitaplar\u0131, filmleri sizinle payla\u015fmak isteriz:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Fanzin: CinAy\u015fe, Moero&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kitap: Sade Ya\u015fad\u0131\u011f\u0131m\u0131z, Nazireler Kitab\u0131, Madun Konu\u015fabilir mi?, Et\/ ve \/ Fal, G\u00fclten, M\u0131knat\u0131s-Ses, Sesin Cinsiyeti, Plasenta, K\u0131rm\u0131z\u0131n\u0131n Otobiyografisi, Karanl\u0131\u011f\u0131n \u0130cad\u0131, Birbirimize Her \u015eeyi S\u00f6yleyebilirdik, Vajina Monologlar\u0131, Dip Ak\u0131nt\u0131lar, Tarihin Devam\u0131-Kad\u0131n Sanat\u00e7\u0131lar Yarat\u0131c\u0131lar, Annem<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Film: Ses ve \u0130ktidar (Terrestrial Verses)<\/p>\n\n\n<ol class=\"wp-block-footnotes\"><li id=\"a7f66e67-1012-4b74-b853-0528a50c2a06\"><a href=\"https:\/\/bianet.org\/haber\/kadinlar-anlatiyor-bizim-hikayemiz-246249\" target=\"_blank\" rel=\"noopener\">Kad\u0131nlar Anlat\u0131yor: \u201cBizim Hikayemiz\u201d<\/a> <a href=\"#a7f66e67-1012-4b74-b853-0528a50c2a06-link\" aria-label=\"Jump to footnote reference 1\">\u21a9\ufe0e<\/a><\/li><li id=\"983a2469-d40e-4a7d-8d4b-9ce870d9a71f\">Madun Konu\u015fabilir mi, G. C. Spivak, Dipnot Yay., 2020 <a href=\"#983a2469-d40e-4a7d-8d4b-9ce870d9a71f-link\" aria-label=\"Jump to footnote reference 2\">\u21a9\ufe0e<\/a><\/li><li id=\"535ed016-18a3-4f0a-85cd-e401e087af66\"><a href=\"https:\/\/www.poetryfoundation.org\/blog\/uncategorized\/53648\/documentary-poetics\" target=\"_blank\" rel=\"noopener\">Documentary Poetics<\/a> <a href=\"#535ed016-18a3-4f0a-85cd-e401e087af66-link\" aria-label=\"Jump to footnote reference 3\">\u21a9\ufe0e<\/a><\/li><li id=\"be4f5cb6-40fd-4205-baa7-17702d021442\">Ezmira, Yaprak Damla Y\u0131ld\u0131r\u0131m, Manos Kitap, 2017 <a href=\"#be4f5cb6-40fd-4205-baa7-17702d021442-link\" aria-label=\"Jump to footnote reference 4\">\u21a9\ufe0e<\/a><\/li><\/ol>","protected":false},"excerpt":{"rendered":"<p>Mor Dayan\u0131\u015fma \u0130zmir il \u00e7al\u0131\u015fmalar\u0131 kapsam\u0131nda Asuman Susam\u2019\u0131n yay\u0131na haz\u0131rlad\u0131\u011f\u0131, ayn\u0131 zamanda \u015fiiriyle yer ald\u0131\u011f\u0131 Oraya Kendimi Koydum kitab\u0131 vesilesiyle Mor Masa\u2019da beraberiz. Kad\u0131nlar\u0131n hik\u00e2yeleri, sesleri, eril kanondan kad\u0131nlar\u0131n yazarak \u00f6zg\u00fcrle\u015fmesine dek geni\u015f bir yelpazede edebiyat\u0131 merkezimize alarak konu\u015ftuk. Bu yaz\u0131y\u0131 da ses kayd\u0131ndan, notlar\u0131m\u0131zdan s\u00fczerek kolektif bir \u015fekilde kaleme ald\u0131k. Karanfil elden ele Asuman\u2019\u0131n&hellip;<\/p>","protected":false},"author":5,"featured_media":10504,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_coblocks_attr":"","_coblocks_dimensions":"","_coblocks_responsive_height":"","_coblocks_accordion_ie_support":"","_eb_attr":"","inline_featured_image":false,"footnotes":"[{\"content\":\"<a href=\\\"https:\/\/bianet.org\/haber\/kadinlar-anlatiyor-bizim-hikayemiz-246249\\\">Kad\u0131nlar Anlat\u0131yor: \u201cBizim Hikayemiz\u201d<\/a>\",\"id\":\"a7f66e67-1012-4b74-b853-0528a50c2a06\"},{\"content\":\"Madun Konu\u015fabilir mi, G. C. Spivak, Dipnot Yay., 2020\",\"id\":\"983a2469-d40e-4a7d-8d4b-9ce870d9a71f\"},{\"content\":\"<a href=\\\"https:\/\/www.poetryfoundation.org\/blog\/uncategorized\/53648\/documentary-poetics\\\">Documentary Poetics<\/a>\",\"id\":\"535ed016-18a3-4f0a-85cd-e401e087af66\"},{\"content\":\"Ezmira, Yaprak Damla Y\u0131ld\u0131r\u0131m, Manos Kitap, 2017\",\"id\":\"be4f5cb6-40fd-4205-baa7-17702d021442\"}]"},"categories":[98,561],"tags":[1542,559,1541],"ppma_author":[613],"class_list":["post-10503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","category-mor-masa","tag-asuman-susam","tag-feminist-edebiyat","tag-mor-masa","author-kolektif"],"authors":[{"term_id":613,"user_id":0,"is_guest":1,"slug":"kolektif","display_name":"Kolektif","avatar_url":"https:\/\/www.mordayanisma.org\/wp-content\/litespeed\/avatar\/fefdbcbd649cfc34ba2bc325b4cb21fd.jpg?ver=1784191119","author_category":"","first_name":"Kolektif","last_name":"","user_url":"","job_title":"","description":""}],"_links":{"self":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/10503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/comments?post=10503"}],"version-history":[{"count":2,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/10503\/revisions"}],"predecessor-version":[{"id":10826,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/posts\/10503\/revisions\/10826"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media\/10504"}],"wp:attachment":[{"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/media?parent=10503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/categories?post=10503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/tags?post=10503"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/www.mordayanisma.org\/en\/wp-json\/wp\/v2\/ppma_author?post=10503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}